Three Essays + Exchange
Notes
Collection of writings documenting and responding to the “Chapter Japan Season 2008”. A4 unbound. English with some Japanese translations.
| Artist / Author | Aparna Sharma, Shimizu Shinjin, Shu Yang, Shirotama Hitsujiya |
|---|---|
| Publisher | Chapter Arts Centre |
| Reference | P1434 |
| Date | 2010 |
| Type | Publication |
Keywords
Similar items
Field Notes II: Summer School on Cultural Diversity and Collaborative Practice
Field Notes II documents the second Summer School on Cultural Diversity and Collaborative Practice, held in July 2019.
Diffracting the Politicized Spectacle: Queering censorship in the Aichi Triennale
On queering censorship in the Aichi Triennale 2019.
Performance Research pg 84-91, On Diffraction, Volume 25, No 5, July/August 2020.
Porte Rouge
Artists photographic book documenting the work of Joa Iselin and Christoph Razenhofer.
Kindly donated for the Swiss Live Art Study Room Guide.
Text in German
Edition of 800
Anne Bean: Self Etc. book launch
Video documentation of the book launch, as part of LADA Screens. Includes 4 videos.
Politics of Food
Documenting the eponymous six year project as well as the current research and thinking around the subject with contributions by prominent artists, academics, activists and chefs.
Part of the Library of Performing Rights ( P3041).
Kunst der Begegnung / Art of Encountering VII
Catalogue of the 7th Art of Encounter, focuses on anagrammatic encounters. 4/10-26/10 2018.
In german and English.
Points of Convergence - Alternative Views on Performance
Investigates critical approaches to performance, ultimately aiming to stimulate new discussion between theorists and practitioners.
Joshua Sofaer: Performance | Objects | Participation
Analyses the artist’s oeuvre in the contexts of liveness, visual art and participatory practices.
You Are Here
Brochure for the Live Art programme at the Liverpool Biennial 2002 (18-21 September).
Anne Bean: Self Etc.
The first substantial survey of its kind, the publication brings together documentation of performances, drawings, videos, installations, and sculptures, as well as writings, interviews and visual essays by the artist. A series of commissioned critical essays show her to be a prolific maker of acts, objects, and multiple ‘selves’.
Material No2
Second edition of Material concerns itself with in/visibility in contemporary artistic practice, especially dance.
By Means of the Future
On Forced Entertainment, prediction, and the community of audience.
