The Crossing
Notes
A collection of illustrated resources, designed to help you think about, talk about and plan a funeral celebration.
In glass cabinet.
| Artist / Author | Ellie Harrison and Matthew Bellwood |
|---|---|
| Reference | P3782 |
| Date | 2017 |
| Type | Publication |
Keywords
Similar items
Arts Funding, Austerity and the Big Society: Remaking the case for the arts?
On making a case for arts subsidy in the face of austerity.
Through the Prism of the Senses
Potluck Stories
Captured during a weekend-long workshop held in Glasgow as part of DIY16.
Part of the Library of Performing Rights (P3041)
Virus
A heady brew of feminist critique of the art world and extreme body horror.
Afterlives documentation
Documentation of the event considering questions of archives and legacies through the art and lives of four extraordinary and influential artists who have died in recent years – Ian Hinchliffe, Rose Finn-Kelcey, Lol Coxhill and Roger Ely.
Needed you collection
Documentation from the 672 Hour Live Process Performance in Istanbul, 2018. Includes the poster, individual videos of performances, and a document with details on all performances.
Connecting Words: a fanzine for Bethnal Green
Documenting words and stories found as part of a treasure trail through Bethnal Green’s gardens and growing spaces.
How We Die is How We Live Only More So
Exhibition publication: Misbehaving Bodies, Wellcome Collection, 29 May 2019 – 26 January 2020.
Part of the Library of Performing Rights (P3041).
post/performance/documentation
Artists from the Tempting Failure 2018 festival, photographed on an instant camera in the moments after their performance.
You Are Here
Brochure for the Live Art programme at the Liverpool Biennial 2002 (18-21 September).
TALKER #1-8
Eight issues of the interview zine about performance.
Kira O’Reilly: Untitled (Bodies)
The first major survey of the artist’s interdisciplinary practices. Bringing together newly commissioned and other writings by major thinkers in and beyond visual and performance studies, and extensive documentation of the artist’s work from two decades of practice, it navigates through and between performance, biotechnical practices, image-making, and writing.
