Raven
Notes
Performance documentation, 2010.
The performer marks a sacred space. She dons a Raven headdress. As she steps into the sacred space she begins a ritual of transformation.
Similar items
the death of a bird at the end of the world: ritual as practices of dialoguing with sites
Part of ‘series of rituals practicing ways to dialog with the natural world’ by Fernanda Branco, MA in Performance Norwegian Theatre Academy//Østfold University College.
FUTURERITUAL Film night
Documentation of the evening which featured a screening of short films and performance documentation by artists working around ritual, performance and queer futurity.
Kunst der Begegnung / Art of Encountering VII
Catalogue of the 7th Art of Encounter, focuses on anagrammatic encounters. 4/10-26/10 2018.
In german and English.
Points of Convergence - Alternative Views on Performance
Investigates critical approaches to performance, ultimately aiming to stimulate new discussion between theorists and practitioners.
Virus
A heady brew of feminist critique of the art world and extreme body horror.
Fandom as Methodology: A Sourcebook for Artists and Wrtiers
Examines fandom as a set of practices for approaching and writing about art.
Needed you collection
Documentation from the 672 Hour Live Process Performance in Istanbul, 2018. Includes the poster, individual videos of performances, and a document with details on all performances.
How We Die is How We Live Only More So
Exhibition publication: Misbehaving Bodies, Wellcome Collection, 29 May 2019 – 26 January 2020.
Part of the Library of Performing Rights (P3041).
Reformation
Over the course of 16 months Ithe artist took about 200 photographs of their reflection in the window of a derelict shop on Windsor Avenue, Fairview, Dublin 3. 52 images were selected and each is accompanied by a piece of text.
You Are Here
Brochure for the Live Art programme at the Liverpool Biennial 2002 (18-21 September).
TALKER #1-8
Eight issues of the interview zine about performance.
It’s Time: how Live Art is taking on the world from the front line to the bottom line
A collection of case studies from Live Art UK, the publication responds to the recent successes of Live Art and highlights those artists, projects and initiatives which are re-politicising and re-energising our arts spaces, sharing radical works and ideas with a public who are themselves being forced to do more with less.
Part of the Library of Performing Rights (P3041).
