Picture House – Film, Art and Design at Belsay

Fauxthentication – Art, Academia, Authorship (or the site-specifics of the Academic Artist) investigates the means of production of the art that can be created within the boundaries of artistic research.

On Filipina labour and amateur performance in Hong Kong.

Performance Research On Amateurs pg 81-87, Volume 25. No 1 January/ February 2020.

This book is packed with thoughtful exercises distilled from twenty-five years of interdisciplinary artist workshops and teaching devising and performance making at universities in the United States and the United Kingdom. Created and curated by Leslie Hill and Helen Paris, artists who work internationally at the interface of academia and professional practice, this collection provides exercises for devising, composing, and editing original works.

This series of interviews, held by curator and writer Gilane Tawadros are focussed entirely on Stuart Brisley’s practice and directed by him. The artist’s narration of his practice demonstrates an unswerving resistance to controlling the narrative or fixing the meaning of his works.

An edited volume that explores the work of the innovative, experimental and internationally acclaimed performance artist Marilyn Arsem, with 200 images.

Issue No 10 of Substanz featuring work from Encuentro Binacional México/Suiza.

Text in German, Spanish and English.

Kindly Donated for the Swiss Live Art Study Room Guide.

Artists book on Katja Schenker with photographic documentation and texts from various authors.

Kindly donated as part of the Swiss Live Art Study Room Guide.

Text in German.

This publication presents a web of information: the artist’s own statements- essentially descriptions and photographs of her pieces, comments and an interview- together with contributions from different authors on various aspects of Muda Mathis’ work.

Kindly donated for the Swiss Live Art Study Room Guide.

Text in German and English.

Text and photographic documentation of the work of Jörg Köppl and Peter Začek.

Kindly donated as part of the Swiss Live Art Study Room Guide.

Text in German.

This book focuses on the possibility of rethinking the static model of installation and exhibition and exploring the way in which ‘performative’ approaches, adopted by artists and curators alike, can reframe the exhibition and its work as an environment subject to formal, temporal or relational transformation.

Video documentation of the book launch, as part of LADA Screens. Includes 4 videos.

Audio of the artist in discussion with Jospeh Morgan Scholfield. Event held on 13 February 2020.