Performing Communities: Grassroots Ensemble Theaters Deeply Rooted in Eight U.S. Communities
Notes
Profiles established ensemble groups from inner-city Los Angeles, small-town northern California, African-American South, multicultural southern Texas, low-income central Appalachia, economically struggling South Bronx New York, and cross-continental Native America.
Part of the Library of Performing Rights (LPR) (P3041).
| Editor | Robert H. Leonard |
|---|---|
| Publisher | New Village Press |
| ISBN | 978-0976605447 |
| Reference | P3295 |
| Date | 2006 |
| Type | Publication |
Keywords
Similar items
Field Notes II: Summer School on Cultural Diversity and Collaborative Practice
Field Notes II documents the second Summer School on Cultural Diversity and Collaborative Practice, held in July 2019.
Diffracting the Politicized Spectacle: Queering censorship in the Aichi Triennale
On queering censorship in the Aichi Triennale 2019.
Performance Research pg 84-91, On Diffraction, Volume 25, No 5, July/August 2020.
At the Dark End of the Street: Black Women, Rape, and Resistance-A New History of the Civil Rights Movement from Rosa Parks to the Rise of Black Power
In this groundbreaking and important book, Danielle McGuire writes about the rape in 1944 of a twenty-four-year-old mother and sharecropper, Recy Taylor, who strolled toward home after an evening of singing and praying at the Rock Hill Holiness Church in Abbeville, Alabama. Seven white men, armed with knives and shotguns, ordered the young woman into their green Chevrolet, raped her, and left her for dead. The president of the local NAACP branch office sent his best investigator and organizer–Rosa Parks–to Abbeville. In taking on this case, Parks launched a movement that exposed a ritualized history of sexual assault against Black women and added fire to the growing call for change.
Devising Theatre & Performance: Curious Methods
This book is packed with thoughtful exercises distilled from twenty-five years of interdisciplinary artist workshops and teaching devising and performance making at universities in the United States and the United Kingdom. Created and curated by Leslie Hill and Helen Paris, artists who work internationally at the interface of academia and professional practice, this collection provides exercises for devising, composing, and editing original works.
Falling through dance and life
This is a book about falling as a means of reconfiguring our relationship with living and dying. Dancer, choreographer, educator and therapist Emilyn Claid draws inspiration from her personal and professional experiences to explore alternative approaches to being present in the world.
Resilient & Resisting: The Sex Work Edition
This Zine was put together following on material heard at the Sex Work, Disability & Trauma interview.
Buddies in Bad Times Theatre: The Rhubarb Festival
Canada’s longest-running new works festival is a hotbed of experimentation, where artists explore new possibilities in theatre, dance, music, and performance art.
In 2021, Rhubarb proposes an alternative: the creation of a physical performative publication that attempts to capture the energy of Rhubarb and, perhaps, recreate the live performance experience itself.
Over 20 artists respond to the prompt to bring performances to the page, with some projects published in the festival publication itself, and other interventions performed on the book after printing. Contributions range from colouring pages to a fever-dream drag performance; from a meal to music inspired by the turning of a page; and from choreographic scores to unearthed histories, real or imagined.
Edition 791/888
10: The Institute for the Art and Practice of Dissent at Home
10 is the latest and last publication from The Institute for the Art and Practice of Dissent at Home (2008 – 2018) and looks at 10 persisting problems of the past 10 years, featuring an array of critical and inspiring voices The Institute has worked with over the last decade.
Tender Order
Tender Order by Jade Montserrat, made with Jane Lawson and edited by Industria, centres ‘matters-of-care’, detailing aspects of self-care and the impacts to self-care made by environmental or socio-political frameworks.
Gómez-Peña Unplugged: Texts on Live Art, Social Practice and Imaginary Activism (2008–2020)
Gómez-Peña Unplugged is an anthology of recent and rewritten classic writings from Guillermo Gómez-Peña, a figure who stands alone as unique and ground-breaking in the history of performance art and as the artistic director of transdisciplinary performance troupe La Pocha Nostra.
La Pocha Nostra: A Handbook for the Rebel Artist in a Post-Democratic Society
La Pocha Nostra: A Handbook for the Rebel Artist in a Post-Democratic Society marks a transformation from its sister book, Exercises for Rebel Artists, into a pedagogical matrix suited for use as a performance handbook and conceptual tool for artists, activists, theorists, pedagogues, and trans-disciplinary border crossers of all stripes.
Performance in an Age of Precarity
An anthology of critical essays that draw on a decade of the authors thinking, writing about and working within contemporary performance as critics, producers, dramaturgs, makers, archivists and more.
