London, Cultural Capital: Realising the potential of a world-class city

Alastair MacLennan archive body BONE Festival Boris Nieslony collective documentation Elvira Santamaria-Torres Helge Meyer ideology international Julie Andree T Jürgen Fritz Lee Wen Myriam Laplante New Territories Norbert Klassen performance politics Roi Vaara theory

access alternative archive archive cultural strategy digital documentation funding institution money PANCH performance art subsidy Switzerland visual art

capitalism Essex London zine

Aaron Williamson Action Hero activism Agata Siniarska amateur Andriy Zholdak Andy Smith artists audience Augusto Corrieri autobiography Back To Back Theatre Blast Theory body Brett Bailey capital Chris Goode cinema Clod Ensemble Constantin Chiriac criticism Dah Theatre Dalia Basiouny David Chisholm Deepan Sivaraman Derevo devised theatre diary disability documentary theatre Dood Paard Dries Verhoeven economy Eleanor Bishop Eleonora Fabião Every House Has A Door Farah Saleh Gecko gentrification Getinthebackofthevan Gibson/martelli Gob Squad Heiner Goebbels Hiwa K Hotel Pro Forma Imitating The Dog immersive intervention Jérôme Bel Junnosuke Tada Kira O'Reilly La Fura dels Baus lecture performance Liu Chengrui London Lone Twin María José Contreras Lorenzini memory Michael Pinchbeck Mike Pearson Mohammad Aghebati Monster Truck Needcompany New Art Club Oblivia Oliver Frljić Ontroerend Goed Padmini Chettur participation Patricia Ariza performance Peter Sellars politics protest public space Punchdrunk Quarantine Reckless Sleepers Ridiculusmus Rimini Protokoll Sankar Venkateswaran Serbia Shirotama Hitsujiya Shunt Silvia Mercuriali Silviu Purcărete site specific Sleepwalk Collective Socìetas Raffaello Sanzio space stage Tammy Brennan Tania Bruguera Tess De Quincey The Builders Association theatre theory Third Angel Tim Crouch Toshiki Okada Ultima Vez Unlimited Vincent Dance Theatre Wendy Houstoun Xing Xin

Ayesha Malik Baneen Mirza Brian W. Ferr Brooklyn Bryony Quinn colonisation Colter Jacobsen Croydon cul-de-sac Daniel P Callanan Donal Mosher Europe experimental geography Iceland Jack Self Jacques Bellavance Jenny Lin Jeremy Atherton Lin Johannesburg Josh Cheon Justinien Tribillon Karen Tongson KT Browne Lahore London Matt Wolf Nina Power North America North Carolina Olivia Laing Oxfordshire Pakistan Peter Nencini place queer remoteness retirement community Sabelo Mlangeni Saudi Arabia Shanghai Silicon Valley skating South Africa space Staten Island Sex Cult supra-rural Tara Sinn teenager Thabiso Sekgala theory UK Unityselected Wayne Koestenbaum writing

Ada Mukhina collectivity community domestic Harold Offeh Holly Corfield Carr Home house labour London Lorena Muñoz-Alonso market economy Martin Cordiano money participation politics public Sarah Boris socially engaged Tate Exchange

advocacy AHRC audience carnival city community cultural policy festival flashmob funding history legislation music outdoor arts performance place-making Public Culture research University of East Anglia urbanism value

artist development business cultural policy economy entrepreneur Erica Scourti ethics funding Helen Johannessen Keith Piper London Creative Network money politics sustainability Tessa Norton visual art

accessibility Ama Josephine Budge audience Bethnal Green Bethnal Green Nature Reserve community garden Dimitris Papadopoulos Eileen Quashie Gail Burton Garrett Centre Hari Covert Lauren Sheerman local publics London Maria Puig de la Bella Casa Melissa Thompson Olly Edmonds participation sanitation sustainability

earth fire four elements Greece landscape London nature photography water

Antony Gormley archive city Cornelia Parker Damien Hirst diarist documentation Ian Jeffrey London Mona Hatoum performance photography portrait Rachel Whiteread Richard Deacon UK urban visual art Woodrow Kernohan YBA Young British Artists

Adam Dant capital city economy local London neighbourhood