Learning in Public: Transeuropean Collaborations in Socially Engaged Art

Field Notes II documents the second Summer School on Cultural Diversity and Collaborative Practice, held in July 2019.

‘The book, that started four years ago as a possible form in which my ephemeral works could live on, gradually developed into an intensive writing project about movement and the imaginative power of language.’ Toine Horvers

Chump Change was produced by Aislinn Evans and features contributions by Stephen Pritchard, Raju Rage, Harry Josephine Giles, and Maz Murray (therightlube).

This series of interviews, held by curator and writer Gilane Tawadros are focussed entirely on Stuart Brisley’s practice and directed by him. The artist’s narration of his practice demonstrates an unswerving resistance to controlling the narrative or fixing the meaning of his works.

This book was produced as part of ‘Challenging Archives’, at. the University of Bristol Theatre Collection: a Wellcome funded project to catalogue and conserve the archive of the artist Franco B. Maddy Costa and Mary Paterson were writers in residence for the project from 2018-2020.

Mishandled Archive offers a way of imagining, creating and disseminating an archive.

Veganism, Sex and Politics explores the potential dangers and irresistible pleasures of living a vegan life.

Text and photographic documentation of the work of Jörg Köppl and Peter Začek.

Kindly donated as part of the Swiss Live Art Study Room Guide.

Text in German.

This book focuses on the possibility of rethinking the static model of installation and exhibition and exploring the way in which ‘performative’ approaches, adopted by artists and curators alike, can reframe the exhibition and its work as an environment subject to formal, temporal or relational transformation.

On making a case for arts subsidy in the face of austerity.

This short documentary film maps Performance Magazine’s history and legacy by bringing together original editors, guest contributors and others connected to the magazine to reflect on it over 30 years on.

23 mins.

Bodies move freely through an ambiguous urban “utopia”…or do they? Shot on 16mm film and digital video.

7 mins