Documentation Bank: Gary Stevens
Notes
Part of the ‘Documentation Bank’ Collection, an extensive range of artists’ ‘Talking Heads’, documentation of key works, and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
| Artist / Author | Gary Stevens |
|---|---|
| Digital Ref | DB0119 |
| Date | 2006 |
| Type | Digital File |
Keywords
Similar items
Diffracting the Politicized Spectacle: Queering censorship in the Aichi Triennale
On queering censorship in the Aichi Triennale 2019.
Performance Research pg 84-91, On Diffraction, Volume 25, No 5, July/August 2020.
Queer Fiesta: Hybridity, drag and performance in Bolivian folklore
On hybridity, drag and performance in Bolivian folklore
Performance Research pg 98-106, On Hybridity Volume 25, No 4, June 2020.
Bewegingen / Movements, 1980-1990
Toine Horvers’ artworks in space and time, photographed by Henk Geraedts.
Text in English and Dutch
Devising Theatre & Performance: Curious Methods
This book is packed with thoughtful exercises distilled from twenty-five years of interdisciplinary artist workshops and teaching devising and performance making at universities in the United States and the United Kingdom. Created and curated by Leslie Hill and Helen Paris, artists who work internationally at the interface of academia and professional practice, this collection provides exercises for devising, composing, and editing original works.
Buddies in Bad Times Theatre: The Rhubarb Festival
Canada’s longest-running new works festival is a hotbed of experimentation, where artists explore new possibilities in theatre, dance, music, and performance art.
In 2021, Rhubarb proposes an alternative: the creation of a physical performative publication that attempts to capture the energy of Rhubarb and, perhaps, recreate the live performance experience itself.
Over 20 artists respond to the prompt to bring performances to the page, with some projects published in the festival publication itself, and other interventions performed on the book after printing. Contributions range from colouring pages to a fever-dream drag performance; from a meal to music inspired by the turning of a page; and from choreographic scores to unearthed histories, real or imagined.
Edition 791/888
10: The Institute for the Art and Practice of Dissent at Home
10 is the latest and last publication from The Institute for the Art and Practice of Dissent at Home (2008 – 2018) and looks at 10 persisting problems of the past 10 years, featuring an array of critical and inspiring voices The Institute has worked with over the last decade.
Responding to Site: The Performance Work of Marilyn Arsem
An edited volume that explores the work of the innovative, experimental and internationally acclaimed performance artist Marilyn Arsem, with 200 images.
Performance in an Age of Precarity
An anthology of critical essays that draw on a decade of the authors thinking, writing about and working within contemporary performance as critics, producers, dramaturgs, makers, archivists and more.
Substanz No 8
Issue No 8 of Substanz featuring the work of Judith Huber.
Text in English.
Kindly Donated for the Swiss Live Art Study Room Guide.
Substanz No 5
Issue no 5 of Substanz featuring text by Marc Mouci.
This performance arts issue is published on the occasion of Acción|MAD17-XIV Encuentro de Arte de Acción Madrid, November 2017.
Text in German and English.
Kindly Donated for the Swiss Live Art Study Room Guide.
Cécile Feilchenfeldt: Objekte
Photographs of the work of Cécile Feilchenfeldt in collaboration with Elaine Rutishauser.
Text in German.
Kindly donated for the Swiss Live Art Study Room Guide.
Elaine Rutishauser & Klodin Erb: Unschuldig unheimlich- das Sennentuntschi
A selection of artwork and text by artists Elaine Rutishauser and Klodin Erb.
In German
Kindly donated for the Swiss Live Art Study Room Guide.
