Documenta 14 #1
Notes
First of the four special editions of the journal, focusing on Documenta 2017. Compiling research, critique and literature, the publicaparallels the work on the exhibition and helps frame its concerns.
Part of the Study Room Guide on Live Art and Displacement (P3107).
| Editor | Quinn Latimer and Adam Szymczy |
|---|---|
| Reference | P3128 |
| Date | 2017 |
| Journal | South as a State of Mind |
| Type | Publication |
Keywords
Similar items
Foreign Maids and Beauty Queens: Filipina labour and amateur performance in Hong Kong
On Filipina labour and amateur performance in Hong Kong.
Performance Research On Amateurs pg 81-87, Volume 25. No 1 January/ February 2020.
Bewegingen / Movements, 1980-1990
Toine Horvers’ artworks in space and time, photographed by Henk Geraedts.
Text in English and Dutch
The Maternal in Creative Work: Intergenerational Discussions on Motherhood and Art
The Maternal in Creative Work examines the interrelation between art, creativity and maternal experience, inviting international artists, theorists and cultural workers to discuss their approaches to the central feminist question of the relation between maternity, generation and creativity.
10: The Institute for the Art and Practice of Dissent at Home
10 is the latest and last publication from The Institute for the Art and Practice of Dissent at Home (2008 – 2018) and looks at 10 persisting problems of the past 10 years, featuring an array of critical and inspiring voices The Institute has worked with over the last decade.
Art as We Don’t Know It
Art as We Don’t Know It showcases art and research that has grown and flourished within the wider network of both the Bioart Society and Biofilia during the previous decade. The book features a foreword by curator and art historian Mónica Bello, and a selection of peer-reviewed articles, personal accounts and interviews, artistic contributions and collaborative projects which illustrate the breadth and diversity of bioart.
La Sala 001: Institutions as Ecosystems
“(…) What could be good practice, in a moment like this? What is the art organisation needed for a no-future public? and what would a sustainable, feminist organisation look like?…”
The text was previously published in Who’s Art For? Art Workers Against Exploitation, edited by R-set/tools for cultural workers (Impasse) in collaboration with Rete al Femminile, postmedia books, 2019.
Edition 60/70
Veganism Sex and Politics: tales of danger and pleasure
Veganism, Sex and Politics explores the potential dangers and irresistible pleasures of living a vegan life.
Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge and the Teachings of Plants
As a botanist, Robin Wall Kimmerer has been trained to ask questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces the notion that plants and animals are our oldest teachers. In Braiding Sweetgrass, Kimmerer brings these two ways of knowledge together.
Elaine Rutishauser & Klodin Erb: Unschuldig unheimlich- das Sennentuntschi
A selection of artwork and text by artists Elaine Rutishauser and Klodin Erb.
In German
Kindly donated for the Swiss Live Art Study Room Guide.
Mahtola Wittmer: Panoptikum
A text and selection of images documenting the work of artist Mahtola Wittmer.
In German.
Kindly donated for the Swiss Live Art Study Room Guide.
Porte Rouge
Artists photographic book documenting the work of Joa Iselin and Christoph Razenhofer.
Kindly donated for the Swiss Live Art Study Room Guide.
Text in German
Edition of 800
(Untitled) Dyketactics Revisted
Bodies move freely through an ambiguous urban “utopia”…or do they? Shot on 16mm film and digital video.
7 mins
