Almost the Same

This series of interviews, held by curator and writer Gilane Tawadros are focussed entirely on Stuart Brisley’s practice and directed by him. The artist’s narration of his practice demonstrates an unswerving resistance to controlling the narrative or fixing the meaning of his works.

Issue No 10 of Substanz featuring work from Encuentro Binacional México/Suiza.

Text in German, Spanish and English.

Kindly Donated for the Swiss Live Art Study Room Guide.

Artists book on Katja Schenker with photographic documentation and texts from various authors.

Kindly donated as part of the Swiss Live Art Study Room Guide.

Text in German.

This publication presents a web of information: the artist’s own statements- essentially descriptions and photographs of her pieces, comments and an interview- together with contributions from different authors on various aspects of Muda Mathis’ work.

Kindly donated for the Swiss Live Art Study Room Guide.

Text in German and English.

Text and photographic documentation of the work of Jörg Köppl and Peter Začek.

Kindly donated as part of the Swiss Live Art Study Room Guide.

Text in German.

This book focuses on the possibility of rethinking the static model of installation and exhibition and exploring the way in which ‘performative’ approaches, adopted by artists and curators alike, can reframe the exhibition and its work as an environment subject to formal, temporal or relational transformation.

Video documentation of the book launch, as part of LADA Screens. Includes 4 videos.

A trilogy of hybrid art films of collaborative performances in epic locations around the world. Included the three films (Performances at the End of the World, Performances at the Holy Centre, Performances at the Core of the Looking-Glass) and a text about the project.

Feminist science fiction that anticipates a post-patriarchal future.

Looks at two pieces which  use the ‘scene’ of wreckage to pursue coherence.

On observing the Wooster Group process.

Over the course of 16 months Ithe artist took about 200 photographs of their reflection in the window of a derelict shop on Windsor Avenue, Fairview, Dublin 3.  52 images were selected and each is accompanied by a piece of text.