2005 Project

Toine Horvers’ artworks in space and time, photographed by Henk Geraedts.

Text in English and Dutch

This series of interviews, held by curator and writer Gilane Tawadros are focussed entirely on Stuart Brisley’s practice and directed by him. The artist’s narration of his practice demonstrates an unswerving resistance to controlling the narrative or fixing the meaning of his works.

Issue No 10 of Substanz featuring work from Encuentro Binacional México/Suiza.

Text in German, Spanish and English.

Kindly Donated for the Swiss Live Art Study Room Guide.

Issue No 4 of Substanz featuring text and drawings by Saskia Edens.

This performance arts issue is published on the occasion of Acción|MAD17-XIV Encuentro de Arte de Acción Madrid, November 2017.

Text in French and English.

Kindly Donated for the Swiss Live Art Study Room Guide.

A text and selection of images documenting the work of artist Mahtola Wittmer.

In German.

Kindly donated for the Swiss Live Art Study Room Guide.

Documentation of exhibition by Katja Schenker.

Kindly donated for the Swiss Live Art Study Room Guide.

Artists book on Katja Schenker with photographic documentation and texts from various authors.

Kindly donated as part of the Swiss Live Art Study Room Guide.

Text in German.

This publication presents a web of information: the artist’s own statements- essentially descriptions and photographs of her pieces, comments and an interview- together with contributions from different authors on various aspects of Muda Mathis’ work.

Kindly donated for the Swiss Live Art Study Room Guide.

Text in German and English.

Text and photographic documentation of the work of Jörg Köppl and Peter Začek.

Kindly donated as part of the Swiss Live Art Study Room Guide.

Text in German.

Artists photographic book documenting the work of Joa Iselin and Christoph Razenhofer.

Kindly donated for the Swiss Live Art Study Room Guide.

Text in German

Edition of 800

This book focuses on the possibility of rethinking the static model of installation and exhibition and exploring the way in which ‘performative’ approaches, adopted by artists and curators alike, can reframe the exhibition and its work as an environment subject to formal, temporal or relational transformation.