Politics of Food
Notes
Documenting the eponymous six year project as well as the current research and thinking around the subject with contributions by prominent artists, academics, activists and chefs.
Part of the Library of Performing Rights ( P3041).
| Editor | Aaron Cezar, Dani Burrows |
|---|---|
| Publisher | Sternberg Press, Delfina Foundation |
| ISBN | 978-3-95679-516-9 |
| Reference | P4128 |
| Date | 2020 |
| Type | Publication |
Keywords
Similar items
Queer Fiesta: Hybridity, drag and performance in Bolivian folklore
On hybridity, drag and performance in Bolivian folklore
Performance Research pg 98-106, On Hybridity Volume 25, No 4, June 2020.
Bewegingen / Movements, 1980-1990
Toine Horvers’ artworks in space and time, photographed by Henk Geraedts.
Text in English and Dutch
Chump Change
Chump Change was produced by Aislinn Evans and features contributions by Stephen Pritchard, Raju Rage, Harry Josephine Giles, and Maz Murray (therightlube).
10: The Institute for the Art and Practice of Dissent at Home
10 is the latest and last publication from The Institute for the Art and Practice of Dissent at Home (2008 – 2018) and looks at 10 persisting problems of the past 10 years, featuring an array of critical and inspiring voices The Institute has worked with over the last decade.
Responding to Site: The Performance Work of Marilyn Arsem
An edited volume that explores the work of the innovative, experimental and internationally acclaimed performance artist Marilyn Arsem, with 200 images.
Art as We Don’t Know It
Art as We Don’t Know It showcases art and research that has grown and flourished within the wider network of both the Bioart Society and Biofilia during the previous decade. The book features a foreword by curator and art historian Mónica Bello, and a selection of peer-reviewed articles, personal accounts and interviews, artistic contributions and collaborative projects which illustrate the breadth and diversity of bioart.
Gómez-Peña Unplugged: Texts on Live Art, Social Practice and Imaginary Activism (2008–2020)
Gómez-Peña Unplugged is an anthology of recent and rewritten classic writings from Guillermo Gómez-Peña, a figure who stands alone as unique and ground-breaking in the history of performance art and as the artistic director of transdisciplinary performance troupe La Pocha Nostra.
Performance in an Age of Precarity
An anthology of critical essays that draw on a decade of the authors thinking, writing about and working within contemporary performance as critics, producers, dramaturgs, makers, archivists and more.
La Sala 001: Institutions as Ecosystems
“(…) What could be good practice, in a moment like this? What is the art organisation needed for a no-future public? and what would a sustainable, feminist organisation look like?…”
The text was previously published in Who’s Art For? Art Workers Against Exploitation, edited by R-set/tools for cultural workers (Impasse) in collaboration with Rete al Femminile, postmedia books, 2019.
Edition 60/70
Veganism Sex and Politics: tales of danger and pleasure
Veganism, Sex and Politics explores the potential dangers and irresistible pleasures of living a vegan life.
Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge and the Teachings of Plants
As a botanist, Robin Wall Kimmerer has been trained to ask questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces the notion that plants and animals are our oldest teachers. In Braiding Sweetgrass, Kimmerer brings these two ways of knowledge together.
Substanz No 8
Issue No 8 of Substanz featuring the work of Judith Huber.
Text in English.
Kindly Donated for the Swiss Live Art Study Room Guide.
