Catalogue > By Keyword > women
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Homme de Plume
Interview with Mary Paterson and Deborah Pearson about their DIY project.
Cannibal O
A typeface narrative revolving around an I, a pair of ravenous eyes, a mouth, and a peptic ulcer called O.
Global Screen Shots
On Harbourfront Centre 2014 World Stage Festival, Toronto.
Of Other Spaces - Where Does Gesture Become Event?
Resonating with the ethos of open dialogue and the experimentation of women artists’ collectives in the 1970s and 1980s, the publication constructs a dynamic, open, and collaborative arena that foregrounds practices of resistance, collectivity, and self-organization. Exhibition catalogue: Cooper Gallery, 28 October 2016 – 16 December 2016.
Part of Library of Performing Rights (P3041).
Queer Asia: Decolonising and Reimagining Sexuality and Gender
A comprehensive study of queer identities and communities across Asia, re-envisioning the queer through Asian perspectives.
Part of Library of Performing Rights (P3041).
The Bodies That Remain
A collection of texts and images on the bodies of artists and writers who battled with the frustration of their own physicality and whose work reckoned with these limitations and continued beyond them.
Porno-Graphics and Porno-Tactics: Desire, Affect, and Representation in Pornograph
Asks whether, and how, it is possible to re-appropriate pornography and think through it critically and creatively for a project of liberation.
Splat! The Adventures of the Famous Little Bitch
A graphic novel adaptation of the performance Splat! by The Famous.
Artistic Bedfellows: Histories, Theories and Conversations in Collaborative Art Practices
A collection of historical essays, critical papers, case studies, interviews, and comments from scholars and practitioners that shed new light on the field of collaborative art.
Queer Phenomenology: Orientations, Objects, Others
A queer phenomenology, Ahmed contends, reveals how social relations are arranged spatially, how queerness disrupts and reorders these relations by not following the accepted paths, and how a politics of disorientation puts other objects within reach, those that might, at first glance, seem awry.
