Paul B. Preciado shows the ways in which the synthesis of hormones since the 1950s has fundamentally changed how gender and sexual identity formulated, and how the pharmaceutical and pornography industries are in the business of creating desire. This riveting continuation of Foucault’s The History of Sexuality also includes Preciado’s diaristic account of his own use of testosterone every day for one year, and its mesmerizing impact on his body as well as his imagination.

An extract of an action performed in Peru as part of CAUTION in July 2011.

0:49

Found in miscellaneous article folder #6
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)

Documentation from the LADA event on (post)modern colonialism, held on on 13 Feb 2016.

Part of the Study Room Ambassador scheme.

Speaking of Ireland Making England the Legal Destination for Abortion is a London-based, direct-action feminist performance group, challenging the restrictions placed on abortion services in Northern Ireland and the Republic of Ireland and campaigning for access to safe, legal and free abortion services globally. Contains FAQ about the group, and a list of talks, events, exhibitions, activities, actions, and articles.
In Misc folder 5B.

Documentation from the LADA event on (post)modern colonialism, held on on 13 Feb 2016.

Incudes a communal text, details on the event, reflections by Leo Kay, Laura Burns, Christine Brault, Isil Sol Vil and Marina Barsy Jane, and photos.

Part of the Study Room Ambassador scheme.

Found in miscellaneous article folder #5B

This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)

Conversation between Johann Went and Mark Wheaton to accompany thescreening of 'Knifeboxing' on LADA Screens which was online from 29 March – 11 April 2016.

In misc folder 5A.

Report from the event held on Friday 29 January 2016.

This event gathered an invited group of live art and performance practitioners who are working with/around the maternal in their arts practice. All invited participants were asked to briefly introduce their ‘maternal performance practice’ and reflect on their aesthetics, including their processes and methodologies.

In misc folder 5A.

Publication for the Bedfellows event, Late at Tate Britain, 1st April 2016.