Catalogue > By Keyword > theatre
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Imagine Me To Be There
An inventive, participatory and humorous performance that playfully challenges the conventions of theatre, watching and our imagination.
Video and Stills 2005-2010
Excerpts from performances Still/Desire (2005), Imbolc (2008) and Raven (2010).
Queer Notions: New Plays and Performances from Ireland
A record of some of the most important performative ideas and embodied interventions that have shaped queer culture and theatre and performance practice in Ireland in recent times, principally in the years following the decriminalization of homosexuality in. 1993, up.
We all are theater. An interview with Augusto Boal
Article and interview by Paterson and Weinberg with Boal.
The Thrill of It All
Continues Forced Entertainment’s enquiry into the spectacle of theatre in contemporary life, exploring the ways in which we live, breathe and tell stories in the circumscribed space of late capitalism.
Performance Lecture Archive: The Last Performance (A Lecture)
Bel narrates his own development from ten years as a dancer in the 1980s, to a sabbatical in the early ’90s spent reading poststructuralist theory, to his present-day status as a leading proponent of European conceptual dance
This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
Live Culture Lecture series: Performing Body
For over 20 years Marina Abramović has collected materials from film, dance, theatre, music, rituals and performance. For her lecture at Live Culture she wound through a personal visual archive of performance related materials focused around the performing body, its mental and physical limits.This documentation has since been presented with the permission of the artist as part of the Performance Matters, Performing Idea, Performance Lecture Archive; an interactive video archive housed at the Whitechapel Gallery between 2-9 October 2010. The archive looked at examples of the performance lecture as a form of artistic and critical expression and its potential to address a broad range of cultural issues and philosophical ideas.
Sacred Symposium: A Make Believe World
Value is an expression of belief: if we believe that such and such a company, or bank, possesses the assets it purports to possess, then, in effect, those assets exist. The moment we stop believing, the value of the company or bank collapses, and the assets in question cease to exist. A credit crunch is what happens when people suddenly stop believing in the financial system – or when we start to wonder why we believe what we are seeing on stage. Symposium Notes
Pullman, WA
Three ordinary, awkward people address audience members directly in a witty, frequently disastrous attempt to show them how to live a better life. Provocative writer/director revisits one of her company’s most outrageously funny works
The Routledge Reader in Gender and Performance
Reviews ways in which sexuality has been explored and expressed in new forms of performance art and dance, women’s contributions to theatre history, and how theatre has represented women over the centuries.
Part of the Library of Performing Rights (LPR) (P3041).
