Catalogue > By Keyword > theatre
671 results | Page 30 of 68
Acts and Apparitions: Discourses on the Real in Performance Practice and Theory, 1990-2010
Examines how contemporary performance practices have been driven by questions of The Real and the consequent political implications of the concept’s disintigrating authority.
Performing presence: Between the live and the simulated
Poses questions over the nature of action, identity and the self in the relationship with media forms.
Trans-global readings: Crossing theatrical boundaries
Gathers the voices of unique artists from the worlds of theatre, music and performance to discuss process and the making of interdisciplinary work. Contributors: Tim Etchells, Rinde Eckert, Richard Foreman, Peter Gabriel, David Greig, Guillermo Gomez-Pena, Phelim McDermott, Peter Sellars
Human Space Machine: Stage Experiments at the Bauhaus
Exhibition catalogue, explores the relationship between technology, machines and the Bauhaus Stage. Contributors: Hortensia Volckers, Alexander Farenholtz, Philipp Oswalt, Juliet Koss, Sascha Forster, Peter W. Marx, Joachim Krausse, Gabriele Brandstetter, Jienne Liu, Karin Harrasser
Terror and Performance
A case for seeing terror as a volatile and mutant phenomenon that is deeply lived, experienced and performed witin the cultures of everyday life.
Eroticism and Death in Theatre and Performance
Exploring a range of topics, including Greek tragedy, Shakespearean theater, contemporary British plays, opera, and the theatricality of Parisian culture, this compilation provides new perspectives on the relationship between Eros and Death in a series of dramatic texts, theatrical practices, and cultural performances
‘That Was Us’ : Contemporary Irish Theatre and Performance
A collection of critical essays and artist reflections considering some of the richest and most important developments to take place in contemporary Irish theatre and performance.
Male Trouble: Masculinity and the Performance of Crisis
Male Trouble explores how Wetern masculinity has increasingly appeared as a troubled gender category in recent times, using a variety of performative case studies. Includes a chapter on work by Ron Athey and Franko B.
Passionate Amateurs: Theatre, Communism, and Love
Passionate Amateurs argues that theatre in modern capitalism can help us think afresh about notions of work, time, and freedom. Its title concept is a theoretical and historical figure, someone whose work in theatre is undertaken within capitalism, but motivated by a love that desires something different.
What’s The Story? : Essays about art, theater and storytelling
Anne Bogart’s collection of essay explore the storytelling impulse and asks how she, as a “product of postmodernism”, can reconnect to the prima act of making meaning and telling stories.
