Catalogue > By Keyword > theatre
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Meredith Monk
An absorbing portrait of an artist whose career spans three decades of American avant-garde performance. Collecting writings by Monk herself, along with significant reviews, essays, interviews, and photographs of Monk’s unique performance events, the book establishes her as one of the great treasures of contemporary American culture.
Creating by Annotating: The director’s notebooks of Jan Fabre and Jan Lauwers
Reversing the common understanding of annotation as a posterior act of adding information to already existing sources, this article argues that annotation also serves as a pre-performance procedure facilitating artistic creation.
Elephant Head on White Body: Reflexive Interculturalism in Ganesh Versus the Third Reich
Analysis of representation and interculturalism in Back to Back Theatre's production.
The Regenerative Ruination of Romeo Castellucci
This article proposes an expanded understanding of Romeo Castellucci's radical performance work as a genuine theatre of ruins.
Two Live Artists in the Theatre
The two live artists engage in a playful, theatre-inspired dialogue (complete with stage directions) in which they discuss their complicated relationships, working within theatre institutions.
Letters to Windsor House
A loophole in the Postal Services Act says you can open other people's mail under certain circumstances. This is that certain circumstance.
A Place Free of Judgement
During 2016 Blast Theory and Tony White worked with a group of young people in libraries in Telford and Wrekin to re-imagine libraries, story telling and their place in the world. On 29 October 2016, over the course of 9 hours from 3pm to midnight, the young people took control of their local libraries, and performed live to a worldwide audience. This book is a result of that process.
Nando Messias leaflets
Handout and info for Shoot the Sissy LADA Screens event.
Joined Forces: Audience Participation in Theatre
Four interviews and ten essays, case studies, manifestos and anti-manifestos by theatre makers, curators, critics, and scholars, presenting various examples of audience participation in theatre and linking them to problems of participation in democracy and to socially engaged art.
Turn, Turtle! Reenacting The Institute
Sx essays, three interviews, and six case studies of performance makers, institution directors, and thinkers, proposing diverse strategies of implication and engagement, opening up possible futures and alternative exchanges between parties that are often too often still seen as adversaries.
