Documentation of a day of screenings, conversations and presentations which explore, recover and communicate the history of performance art in London and the UK in the 1970s. The day includes a screening of William Raban’s film 72-82 (a history of art and performance at Acme Gallery, London), followed by a panel discussion with William Raban (Professor of Film at London College of Communication), and special guests; a conversation with Hilary Westlake and David Gale (Lumiere & Son); lectures by Naseem Khan, Anne Bean, and Marcia Farquhar; with a keynote by the historian Carolyn Steedman (Emeritus Professor of History, University of Warwick).

Performance Art Faction (PAF) was an Arts Council England funded, nine month long holistic project made up of artist residencies, research labs, exhibitions, live performances and open platform events. PAF explored the intersections of contemporary performance art, politics and society with the aim of reawakening the innate political potential of our bodies. Contributors: Benjamin Sebastian, Francesca Lisette, Bean, Jessica Worden, Diana Damian, Robin Bale and Victoria Grey.Artists: Fabiola Paz, Jade Montserrat, Kris Grey, Amber Hawk Swanson, Hugh O’Donnell, Maria José Arjona, Arianna Ferrari, Panopoly Lab (Esther Neff and Brian McCorkle), Burmester & Feigl, Owen Parry, Carlos Salazar Lermont, Helena Walsh introducing Speaking of I.M.E.L.D.A and Aliza Shvarts. The publication is a homage to DIY print aesthetics and propaganda art, and includes: Commissioned essays from artists/academics/agitators, Film & Photographic documentation, Open Call & Research Lab roll calls, PAF memorabilia, PAF Artists' bios & photographs, ]ps[ manifesto. Shelved in Oversize publications section.

An anthology of artists writings from the Nordic and Baltic region gathering together writings by the artists themselves.

The present interview is a discussion about Oreet Ashery’s diverse body of work with a focus on the most recent work Party for Freedom. It offers a clear trajectory of the artist’s early stages of work till the present and gives an account of certain creative strategies that Ashery has developed through her practice.

The Disagree. magazine is a result of the cooperation between a changing group of artists, curators, and theoreticians operating fully independently.  They join forces under the name of the Disagree. Art assembly.  Those who write for the Disagree. magazine automatically become part of the editing team and thus of the assembly.  The editors of the first issue are Jeff Poak, Jean Gotthard, Harald Pogel, Nazim Besikci, Jana Tupivic, Anna Siegel.

Catalogue of the show Lines of Division at The Rubin Center.

Publication part of the The Survivalist Series 2013/2014 project produced and commissioned by CAAPO.

The author reviews Alison Klayman’s documentary on Chinese artist Ai Weiwei “Never Sorry”.

Volume largely focused on funding and the survival of the arts. 

Video documentation featuring three decdes of work that helped define a unique genre of US west coast performance art.