Catalogue > By Keyword > politics
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An in-depth research on the theme of borders and motherhood.
Part of Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal (P3025).
Public 53: Mega-Event Cities
Leading scholars, artists, and activists examine the role of the arts in articulating the social agendas of urban mega-events like Olympic Games and World Expos.
Social Art Map
Made for Out of the Ordinary Places (OOTO Places), an Ideas Test programme working in four areas of North Kent where commissioned artists created projects shaped by people and place. Developed to support more people to get involved in the arts, four new projects took place in Iwade, Sittingbourne, Strood and the Isle of Grain. OOTO Places explores how local residents and artists can co-create new and experimental work that reimagines and challenges perceptions of place and in turn raises wider social and political questions.
Collected Works for Performance
Inckudes: A Conversation With My Father, Songs for Breaking Britain, Equations for a Moving Body.
Singularities: Dance in the Age of Performance
Lepecki surveys a decade of experimental choreography to uncover the dual meaning of ‘performance’ in the twenty-first century: not just an aesthetic category, but a mode of political power. He demonstrates the enduring ability of performance to critique and subvert this power, examining this relationship through five ‘singularities’ in contemporary dance: thingness, animality, persistence, darkness, and solidity.
Stuart Brisley: Performing the Political Body and Eating Shit
Published on the occasion of the exhibition Stuart Brisley: Headwinds, MAC Belfast, 30 January-26 April 2015.
Manual For Possible Projects On The Horizon
Documentation from the event which invites participants to talk openly about ideas of ‘social responsibility’ in regards to collaborative making and to collectively question the role of contemporary artists within opposing cultures of resilience, resistance and regeneration.
01.01.CM
The book presents over 100 covers of The Communist Manifesto, compiled from the Museum of Ordure’s collection. The launch included a sound performance by the Curator and Acting Director of the Museum of Ordure, R Y Sirb.
Engaging Performance: Theatre as call and response
Presents a combined analysis and workbook to examine “socially engaged performance.” It offers a range of key practical approaches, exercises, and principles for using performance to engage in a variety of social and artistic projects.
So Much Wasted: Hunger, Performance, and the Morbidity of Resistance
Anderson analyzes self-starvation as a significant mode of staging political arguments across the institutional domains of the clinic, the gallery, and the prison.
