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Ouch: Pain and Performance

Digital Reference: EF5231 | Type: Digital File

A LADA screening programme for the 2016 Venice International Performance Art Week: a collection of documentation and artists’ films looking at pain and performance.

Includes:

Marina Abramovic – On ‘Rhythm O’, 1974, 2013,  3’07” ; Ron Athey – Ron’s Story, 2001, 4’44”; Marcel.Li Antunez Roca – Epizoo, 1994, 8’29; Franko B – Don’t Leave Me This Way, 2009, 5’03”; Wafaa Bilal – On ‘Shoot An Iraqi’, 2007, 2’21”; Rocío Boliver – Times Go By and I Can’t Forget You: Between Menopause and Old Age, 2013, 4’18”; Cassils – The Powers That Be, 2016, 2’24”; Bob Flanagan – Cystic Fibrosis Song, 1990’s 1’32”; Regina Jose Galindo – Lucha, 2002, 3’37”; jamie lewis Hadley – this rose made of leather, 2012, 9’10”; Nicola Hunter & Ernst Fischer  – Passion/Flower, 2012, 4’02”; Oleg Kulik – Dog House 1996, 4’10”; Martin O’Brien – Taste of Flesh, 2015, 2’59”; Kira O’Reilly – Wet Cup, 2000, 2’29”; ORLAN – Successful Operation, 1990, 6’16”; Petr Pavlensky – Radical Artist In Court – Ukraine Today News Item,  2015, 1’57”

The Structure of War

Artist/Author: Veronica Cordova de la Rosa | Reference: P3075 | Type: Publication

Transcript from a performance; Live Art and Performance Art sessions, School of Arts, Oxford Brookes University

The Incorrigibles: Perspectives on Disability Visual Arts in the 20th and 21st Centuries

Editor: Adrian Plant and Tanya Raabe-Webber | Reference: P3074 | ISBN: 978-1-907796-19-7 | Type: Publication

At the 2015 DASH symposium ‘Awkward Bastards’, artist and CEO of Shape Arts, Tony Heaton posed the question “Is the Disability Arts movement a forgotten movement? In response to this, DASH created a new book that aims to show that Disability arts is alive, well and demands recognition and a place within art history.

Monica Ross - Ethical Actions: A Critical Fine Art Practice

Editor: Suzanne Treister and Susan Hiller | Reference: P3073 | ISBN: 978-3-956792-02-1 | Type: Publication

This fully illustrated publication documents Ross’s works from 1970 to 2013, including early feminist collaborative works, drawings made at the Greenham Common Women’s Peace Camp in the 1980s, poster designs for the antinuclear movement, works relating to the writings of Walter Benjamin, and documentation from the sixty performances of Anniversary—an act of memory (2008–13), solo, collective, and multilingual recitations from memory of the Universal Declaration of Human Rights, which concluded with a final collaborative performance at the UN in Geneva on the day of Ross’s death.

Rise with your class not from it

Editor: Emmanuelle Waeckerlé | Reference: P3069 | ISBN: 9780957682870 | Type: Publication

A lasting trace of and a vehicle for the Working Press, a collective publishing imprint which had the subtitle books by and about Working Class Artists, 1986-1996. The publication highlights some important works by working-class artists while providing a valuable resource for anybody interested in working with archive material.

Louder Than Bombs: Art, Action & Activism documentation

Digital Reference: EF5230 | Type: Digital File

Over the course of seven weeks, the Stanley Picker Gallery in Kingston handed over its exhibition space to host a series of week-long Live Art residencies.

Includes documentation of individual weeks, plus a compilation video.

More info on the project.

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