Catalogue > By Keyword > politics
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Performance and Community: Commentary and Case Studies
Through case studies, this edited collection gives access to some of the leading organisations in the field, examining their creative processes and placing them in their historical context. In parallel, a series of interviews with individual artists explores their approaches and how they are re-shaped by the communities that they encounter.
Part of the Library of Performing Rights (LPR) (P3041).
Part of the Know How: The Study Room Guide on Live Art Live Art and working with older individuals and communities. (P3140)
Out of Time: The Pleasures and the Perils of Ageing
In the footsteps of Simone de Beauvoir, Looks at many of the issues facing the aged – the war of the generations and baby-boomer bashing, the politics of desire, the diminished situation of the older woman, the space on the left for the presence and resistance of the old, the problems of dealing with loss and mortality, and how to find victory in survival.
Part of the Know How: The Study Room Guide on Live Art Live Art and working with older individuals and communities. (P3140)
Selma Selman catalogue
A catalogue of one of the most important contemporary Roma artists: a comprehensive overview of her oeuvre and a concise insight into the complex questions of the life of ethnic minorities. In Slovenian, Roma and English.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Documenta 14 #1
First of the four special editions of the journal, focusing on Documenta 2017. Compiling research, critique and literature, the publicaparallels the work on the exhibition and helps frame its concerns.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Performance Art in Eastern Europe Since 1960
Covering 21 countries and more than 250 artists, this text demonstrates the manner in which performance art in the region developed concurrently with the genre in the West, highlighting the unique contributions of Eastern European artists.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Seeing Power
A fog of information and images has flooded the world: from advertising, television, radio and film to the information glut produced by the new economy. With the rise of social networking, contemporaries, peers and friends are all suddenly selling us the ultimate product: themselves. Thompson interrogates the implications of these developments for those dedicated to socially engaged art and activism.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Delaine Le Bas: Witch Hunt
Exhibition catalogue with documentation from the installations in Cardiff, Portsmouth, Derry, London and Berlin.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Violent Borders: Refugees and the Right to Move
Jones travels the border regions of the world, documenting the billions of dollars spent on border security projects, and their dire consequences for the majority of the people in the world.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Global Activism: Art and Conflict in the 21st Century
Describes and documents politically inspired art — global art practices that draw attention to grievances and demand the transformation of existing conditions through actions, demonstrations, and performances in public space. Includes essays by leading thinkers, images of art objects, illustrations, documents, and other material as well as case studies by artists and activists.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Nothing to Lose but Our Fear: Activism and Resistance in Dangerous Times
Delivers a counter blow to the rampant culture of fear fuelled by the likes of CNN, Fox and the Daily Mail. Exploring contemporary and historical manifestations of this controlling force, the conversations in this collection go beyond just scrutinizing what constitutes rational versus irrational fear, or identifying ways in which human fears are manipulated by political players. They reveal how fear antagonizes and changes our subjectivity and, crucially, how the political use of fear has been resisted in different times and places, by different people across the globe.
Part of the Study Room Guide on Live Art and Displacement (P3107).
