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Catalogue > By Keyword > politics

934 results | Page 36 of 94

Towards an embodied poetics of failure

Artist/Author: Christel Stalpaert | Editor: Ric Allsopp and Kristen Kreider | Reference: A0723 | Type: Article

Exploration of violence and trauma in needcompany’s Marketplace 76.

Playbook

Editor: Mark Harvey | Reference: P3204 | ISBN: 978-0-473-37174-6 | Type: Publication

An artist book which samples his performance and art practices over 14 years, with text by Victoria Wynne-Jones, Mark Amery and Gradon Diprose.

Is the Artist Present? - Live (and conscious) art at a Borderline

Artist/Author: Dror Harari | Editor: Ric Allsopp | Reference: A0727 | Type: Article

The essay interrogates Hadas Ophrat's piece Insomnia.

Performance Works 2008-2017

Artist/Author: Soni Kum | Reference: D2240 | Type: DVD

Includes: Foreign Sky, Beast of Me and Still Hear the Wound.

Catalogued with a spanned DVD.

Elephant Head on White Body: Reflexive Interculturalism in Ganesh Versus the Third Reich

Artist/Author: Marcus Tan | Reference: A0715 | Type: Article

Analysis of representation and interculturalism in Back to Back Theatre's production.

Chinese Performing Arts Yearbook 2015

Reference: P3187 | Type: Publication

Comprehensive overview of China's performance art in 2015. Includes essays, five case studies and information on over 100 artists. In Mandarin.

Confronting the Institution in Performance: Liberate Tate’s Hidden Figures

Artist/Author: Liberate Tate | Reference: A0720 | Type: Article

Weaves together the various voices for the art collective to offer readers both an analysis and an experience of the group’s performance: the inner voice of the performance; the critical voice of the witness; and the frustrating redactions reflecting Tate and BP’s hidden contracts.

Staging an Exilic Autobiography: On the pleasures and frustrations of repetitions and returns

Artist/Author: Natasha Davis and Yana Meerzon | Reference: A0718 | Type: Article

Expanding on the ideas of double wound (Caruth) and nostalgia (Aciman), this article discusses Davis' poetic autobiographic performances as examples of the terror and relief of repeating exilic pain.

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