Audio CD of recordings celebrating The Final Academy and featuring the contributions of Joe Ambrose, ElectroRev, John Balance, De Straatslijper, Testing Vault & The Palgue Doctors for a total of 8 tracks. For related anthology and documentation see REF P2739.

An anthology celebrating The Final Academy and featuring the contributions of Joe Ambrose, Bee, Michael Butterworth & John Coulthart, Fritz Catlin, Emma Doeve, Paul A Green, Phil Hine, Spencer Kansa, Cabell McLean, John May, Jack Sergeant, John Balance, and unpublished interviews with William S. Burroughs and Terry Wilson. For related audio CD see REF D2190.

Text for a work originally performed in August 1988 as “The Return of the Horse to the Riding School” in the Manege – Saint Petersburg’s Central Exhibition Hall which was once the Imperial Riding School – during the Second Festival of Experimental Art and Performance

Catalogue of exhibition focused on Vicuña’s early paintings and the objects and book-works that she produced in London in the 1970s. With an introductory essay by Dawn Ades.

The author discusses with Laurie Anderson her musical collaboration with Kronos Quartet featured in the Adelaide Festival 2013. 

A double CD of selected items and several hour-long radio broadcasts produced and curated by Mel Brimfield, who spent a year and a half collecting, commissioning and honing submissions for 24 hours' worth of content. 

This small publication was produced on the occasion of “Mith, Mithy, Magic”, a series of performances, screenings and talks by Brian Catling in New York, 28-30 April 2014.

Comprehensive monograph on artist Rose English’s 40-year career to date, including legendary site-specific performances and large-scale spectaculars.

This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)

This publication gathers materials from the entire Gysin oeuvre: scholarly historical study, baroque fiction, permutated and cut-up poetry, unsettling memoir, and other texts.

Documenting Alain Arias-Misson’s ‘public poem’ projects over the last 45 years. With an essay by Roger D’Hondt