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Maud Sulter: Passion

Artist/Author: Deborah Cherry | Reference: P2862 | ISBN: 978-1-906908-36-2 | Type: Publication

The first sustained publication on the artist and writer of Scottish and Ghanaian heritage who lived and worked in Britain. Originally accompanied the exhibition, Maud Sulter: Passion at Street Level Photoworks in Glasgow, 25 April – 21 June 2015.

Includes exhibition programme from Maud Sulter: Syrcas at Autograph ABP in London, 15 January – 2 April 2016.

Urban Exile: Collected Writings of Harry Gamboa Jr.

Artist/Author: Harry Gamboa Jr. | Editor: Chon A. Noriega | Reference: P2859 | ISBN: 978-0816630523 | Type: Publication

Editor Chon A. Noriega collects ephemera gathered from Gamboa’s three-decade-long dadaistic career. The book includes interviews with artists, poetry, fiction, collaged images, documentation of public and staged performances, photographic portraits of Chicano men, and political writings, including an essay on public schools reflecting his son’s first year in kindergarten. 

Carlyle Reedy: Icons of a Process

Editor: Karen Di Franco and Guy Brett | Reference: P2849 | ISBN: 978-1-9006203-78-8 | Type: Publication

Catalogue for the 2014 Flat Time House exhibition, which comprised of elements of the many modes of Reedy’s production across decades, including video and audio works unseen and unheard since the 1970s and 80s.

Li Yuan-Chia: Tell me what is not yet said

Editor: Guy Brett and Nick Sawyer | Reference: P2850 | Type: Publication

A monograph documenting the artist's life and work; includes photographs which have never before been reproduced, a selection of his short texts and poems, which reflect his feelings on the open question of the relationship between art and life, and two newly commissioned essays by Guy Brett and Nick Sawyer.

This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)

Daring to be Present: An Interview with Carlyle Reedy

Artist/Author: Eleanor Roberts | Reference: A0643 | Type: Article

The interview aruges for visibility of Reedy as a force of innovation where she is wrongly, and yet expectedly, absent from mainstram cultural institutions.

Dada in Paris

Artist/Author: Michel Sanouillet | Reference: P2799 | ISBN: 978-0262518215 | Type: Publication

Published in France in 1965, the book reintroduced the Dada movement to a public that had largely ignored or forgotten it. More than forty years later, it remains both the unavoidable starting point and the essential reference for anyone interested in Dada or the early-twentieth century avant-garde. Translated by Sharmila Ganguly.

Radical Prototypes: Allan Kaprow and the Invention of Happenings

Artist/Author: Judith F. Rodenbeck | Reference: P2798 | ISBN: 978-0262526128 | Type: Publication

Rodenbeck offers a rigorous art historical reading of Kaprow’s project and related artworks. She finds that these experiential and experimental works offered not a happy communalism but a strong and canny critique of contemporary sociality. Happenings, she argues, were far more ambivalent, negative, and even creepy than they have been portrayed, either in contemporaneous accounts or in more recent efforts to connect them to contemporary art’s participatory strategies.

Dangerous Moves: Performance and Politics in Cuba

Artist/Author: Cocu Fusco | Reference: P2777 | ISBN: 978-1-84976-326-4 | Type: Publication

Exploring performance and politics in the post-revolutionary state, Dangerous Moves presents a fascinating survey of contemporary life and culture in Cuba through some of its most daring and experimental artists.

The School of Public Life: Doormats No. 4

Artist/Author: Fred Dewey | Reference: P2782 | ISBN: 978-0988937512 | Type: Publication

Drawing on two decades of interventions in politics and culture, The School of Public Life records the author’s efforts to revive and rethink public space from Los Angeles to Berlin and beyond.

Environments and Happenings

Artist/Author: Adrian Henri | Reference: P2769 | ISBN: 0500201374 | Type: Publication

Poet and painter Adrian Henri gives an account of the origins of ‘total art’ followed by fully documented chapters on the American environmental tradition of Kaprow, Oldenburgh, Warhol, Kienholz and many others.

This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)

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