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Not here, a queer anthology of loneliness
31 artists, poets, performers and writers consider the experience of loneliness.
A Year In The Country: Wandering Through Spectral Fields
Draws together revised writings alongside new journeyings from the A Year In The Country project, which has undertaken a set of year-long journeys through spectral fields; cyclical explorations of an otherly pastoralism, the outer reaches of folk culture and the spectres of hauntology. It is a wandering amongst subculture that draws from the undergrowth of the land.
Mesearch and the Performing Body
An anthology of Edward’s creative practice-led projects. Through the innovative practice of ‘mesearch’, in which the author is both theoriser and theorised, this study delivers a personal, creative narration, combining reflections and emotions in relation to self and performance.
The Last Known Pose: Essays and Reflections on the Works of Qasim Riza Shaheen
A collection of written and visual responses to the works of British artist, Qasim Riza Shaheen. Essays, reflections and conversations, by eminent scholars, curators, artists and collaborators, consider the multiple aspects and the experience of his works.
In English and Urdu.
Over There: A Queer Anthology of Joy
What is joy? Is joy possible in the world today? If so, how do queer people imagine or experience it? Over 30 writers, artists and performers consider queer joy.
Concerning Consequences: Studies in Art, Destruction, and Trauma
From war and environmental pollution to racism and sexual assault, the publication analyzes the consequences of trauma as seen in the works of artists like Marina Abramović, Pope.L, and Chris Burden.
The Magic Forest
A collection of black and white photographs of the wooded area between the Fire Island communities of Cherry Grove and The Pines.
Women, the arts and globalization
The essays in Women, the Arts and Globalization demonstrate that women in the arts are rarely positioned at the centre of the art market, and the movement of women globally (as travelers or migrants, empowered artists/scholars or exiled practitioners), rarely corresponds with the dominant models of global exchange. Rather, contemporary women’s art practices provide a fascinating instance of women’s eccentric experiences of the myriad effects of globalization.
Out of the ruins : Bam photography rescue project - earthquake December
On 26 December 2003 an earthquake destroyed over 90% of one of the most ancient cities of Iran, Bam. Nearly half of the inhabitants lost their lives and the impressive citadel was turned into dust. It also destroyed the most famous photo studios located in the old parts of the city. Iranian art historian and photographer Parisa Damandan decided to pay tribute to the victims by excavating, collecting and restoring the archives of five studios, supported by the Prince Claus Fund and AIDA Nederland. She was able to save at least 30,000 negatives, all memories of life in Bam before the city was ruined.
Eleanor Antin: Real Time Streaming catalogue
Illustrated catalogue accompanying the exhibition; Cornerhouse (3 March – 22 April 2001), Arnolfini (18 March – 13 May 2001), Mead Gallery (6 October – 1 December 2001).
