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The Twenty-First Century Performance Reader
Editor: Teresa Brayshaw, Anna Fenemore, and Noel Witts | Reference: P4028 | ISBN: 978-1138785342 | Type: Publication

Combines extracts from over 70 international practitioners, companies, collectives and makers from the fields of dance, theatre, music, live and performance art, and activism to form a sourcebook for students, researchers and practitioners.

Aaron Williamson Action Hero activism Agata Siniarska amateur Andriy Zholdak Andy Smith artists audience Augusto Corrieri autobiography Back To Back Theatre Blast Theory body Brett Bailey capital Chris Goode cinema Clod Ensemble Constantin Chiriac criticism Dah Theatre Dalia Basiouny David Chisholm Deepan Sivaraman Derevo devised theatre diary disability documentary theatre Dood Paard Dries Verhoeven economy Eleanor Bishop Eleonora Fabião Every House Has A Door Farah Saleh Gecko gentrification Getinthebackofthevan Gibson/martelli Gob Squad Heiner Goebbels Hiwa K Hotel Pro Forma Imitating The Dog immersive intervention Jérôme Bel Junnosuke Tada Kira O'Reilly La Fura dels Baus lecture performance Liu Chengrui London Lone Twin María José Contreras Lorenzini memory Michael Pinchbeck Mike Pearson Mohammad Aghebati Monster Truck Needcompany New Art Club Oblivia Oliver Frljić Ontroerend Goed Padmini Chettur participation Patricia Ariza performance Peter Sellars politics protest public space Punchdrunk Quarantine Reckless Sleepers Ridiculusmus Rimini Protokoll Sankar Venkateswaran Serbia Shirotama Hitsujiya Shunt Silvia Mercuriali Silviu Purcărete site specific Sleepwalk Collective Socìetas Raffaello Sanzio space stage Tammy Brennan Tania Bruguera Tess De Quincey The Builders Association theatre theory Third Angel Tim Crouch Toshiki Okada Ultima Vez Unlimited Vincent Dance Theatre Wendy Houstoun Xing Xin

Sensual Excess: Queer Femininity and Brown Jouissance
Artist/Author: Amber Jamilla Musser | Reference: P4027 | ISBN: 9781479830954 | Type: Publication

Works against the framing of black and brown bodies as sexualized, objectified, and abject, and offers multiple ways of thinking with and through sensation and aesthetics.

Part of the Library of Performing Rights (P3041).

activism aggression appetite audience Audre Lorde authenticity black black women blackness body camp consumption critical race studies desire drag ecstasy epistemology excess feminism fetish flesh gender impossibility In Love installation Judy Chicago Kara Walker knowledge production melancholy mother Nao Bustamante Neapolitan otherness Patty Chang performance pleasure politics pornotroping psychoanalysis queer theory race racism selfhood sensuality sexuality spectatorship The Dinner Party vulnerability weeping white supremacy

Politicizing Obscenity
Artist/Author: Joan Hawkins | Reference: A0862 | Type: Article

On Unicorn Gratitude Mystery by Karen Finley.

Bernie Sanders body Chicago Donald Trump elections Hilary Clinton La Mama performance politics satire USA

A Ridiculous Look at the History of American Song
Artist/Author: Kelly Aliano | Reference: A0860 | Type: Article

On Taylor Mac: a 24-Decade History of Popular Music

audience community durational history interaction Machine Dazzle music Niegel Smith performance Ridiculous Theatre theatre time

Tasteless, Crude, and Politically Progressive
Artist/Author: Paul David Young | Reference: A0856 | Type: Article

On Christoph Schlingensief, solo exhibition at MoMA S1, March-August 2014.

activism cancer Christianity Eine Kirche der Angst film MeFelt My Hare My Hat New York opera performance Please Love Austria! politics theatre Venice Biennale

Black Performance Theory
Editor: Thomas F. DeFrantz and Anita Gonzalez | Reference: P4026 | ISBN: 978-0-8223-5616-5 | Type: Publication

Considering how blackness is imagined in and through performance, the contributors address topics including flight as a persistent theme in African American aesthetics, the circulation of minstrel tropes in Liverpool and in Afro-Mexican settlements in Oaxaca, and the reach of hip-hop politics as people around the world embrace the music and dance.

Part of the Library of Performing Rights (P3041)
 

aesthetics Africa African American agency Anita Gonzalez Anna B. Scott authenticity Barack Obama black blackness body capitalism Carl Paris choreography criticism D. Soyini Madison dance Daphne A. Brooks diaspora economy embodiment ethnicity Hershini Bhana Young hip-hop history identity Jason King Jazz Koritha Mitchell labour live art lynching media Melissa Blanco Borelli Mexico Michael Jackson minstrel money music Nadine George-Graves Nina Simone performance politics queer race racism Reggie Wilson Rickerby Hinds Ronald K. Brown slavery Soyica Diggs Colbert Tavia Nyong'o theatre theory Thomas F. DeFrantz UK USA voice Wendy S. Walters

Black Sun
Editor: Will Holder | Reference: P4021 | ISBN: 9780995713376 | Type: Publication

Edited in conversation with Krist Gruijthuijsen, the director of KW Institute for Contemporary Art in Berlin, to accompany the exhibitions ‘David Wojnarowicz Photography & Film 1978–1992’, ‘Reza Abdoh’, and ‘TIES, TALES AND TRACES: Dedicated to Frank Wagner, Independent Curator (1958–2016)’.

activism ADS death Europe gay Germany grief HIV loss performance politics sex USA

None of Us is Yet a Robot: Five Performances on Gender Identity and the Politics of Transition
Artist/Author: Emma Frankland | Reference: P4014 | ISBN: 978-1786826459 | Type: Publication

Charts artist and performer Emma Frankland's gender transition against a shifting social and political landscape, while grappling with the systematic erasure of trans history.

Part of Library of Performing Rights (P3041).

Abby Butcher activism Anna Barrett audience gender history Ira Brand Ivor MacAskill Keir Cooper Maddy Costa Myriddin Phar performance politics queer Rachel Mars Rosana Cade theatre trans trans women transgender transition Travis Alabanza

From Brass Bands to Buskers: Street Music in the UK
Artist/Author: Elizabeth Bennett, George McKay | Reference: P4013 | Type: Publication

Report about the Arts and Humanities Resarch Council funded prject.

advocacy AHRC audience carnival city community cultural policy festival flashmob funding history legislation music outdoor arts performance place-making Public Culture research University of East Anglia urbanism value

We are the Market!: The Commercial City Centre as the Final Commonplace
Editor: Freek Lomme | Reference: P4007 | ISBN: 9789491677878 | Type: Publication

Calls out to freedom in the capitalist commons, within the cultural production of the high street.

Part of Library of Performing Rights (P3041).

Apparatus 22 Berit Fischer BURO SNDVG capitalism consumption culture curating David Blamey Dirk Vis Disarming Design DIY economy Eindhoven Fred Dewey free choice freedom Gil & Moti Harmen de Hoop Ilke Gers inclusivity Jasper Griepink Jennifer Moon Koen Haegens Lietje Bauwens Martin Krenn MG&M Collective Michel van Dartel Mona Lisa’s money Mosab Anzo Netherlands Nolwenn Salaun performance Public Culture public space Robert-Jan Gruijthuijzen Rogier Brom Su Tomesen Teun Castelijn text The Temple of Tease Toine Klaassen Vanessa Brazeau visual art Wouter De Raeve

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