Catalogue > By Keyword > performance
1673 results | Page 8 of 168
Misha Horacek collection
Includes:
Moon River (and project description), 2018/2019, 10:47
Nest: Inhabit (and project description), 2019, with Samantha Sweeting, 11:42
The Empty Station (and project description), 2017, with Chris Spencer-Lowe, 5:58
SWIM
Taking place on 12 July 2007, SWIM was an open invitation, all access swim across London from Tooting Bec Lido to Hampstead Heath Ponds.
2014, 31’ 19”
This video was part of LADA Screens, and was available online between 17 August and 31 August 2015
The presence of absence: Beyond the “great goddess” in Ana Mendieta’s Silueta Series
On Mendieta's late 70s series, in which the artist trekked into the woods and marked the outlines of her body agains the earth.
You Don’t Have to Have a Penis to be a Genius
An interview with The Guerrilla Girls. Liquid damage on publication.
Part of The Library of Performing Rights (P3041).
How not to do disability
A tribute to Katherine Araniello, read during the event at LADA, 16th April 2019.
Part of the Library of Performing Rights (P3041)
In misc folder 7.
Aaron Williamson: Inspiration Archives
Exhibition catalogue. Attenborough Arts Centre, 10th May – 14th July 2019.
Part of the Library of Performing Rights (P3041)
Sign of the Times
Made and published on the occasion of Artsadmin's 40th birthday.
Arts of the Working Class: the Americas Issue
The 7th issue of the newspaper is the first one to focus on a region; it commits to reconsidering Americas colonial stories and their marks on its present global condition. In multiple languages.
Part of the Library of Performing Rights (P3041)
Performing Britain
Newspaper published for the event originally scheduled for 29th March 2019 in Leeds.
Touched Bodies: The Performative Turn in Latin American Art
What is the role of pleasure and pain in the politics of art? Polgovsky Ezcurra approaches this question as she examines the flourishing of live and intermedial performance in Latin America during times of authoritarianism and its significance during transitions to democracy.
Part of the Library of Performing Rights (P3041).
