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The Beginning
Part of Sacred, a season of contemporary performance at the Chelsea Theatre, London, 19 October 2012 – 1 February 2013. No. 7 of 10. For the complete series see Ref. D2069-D2078.
Access All Areas: Live Art and Disability Review
Located in Miscellaneous Articles folder 5A.
Getting it out there
This document reflects on and responds to Getting It Out There, a one-day symposium at Lancaster University, 12 May 2012, exploring the future of touring for contemporary theatre and live art.
Staging Black Feminisms: Identity, Politics, Performance
Staging Black Feminisms sets out to challenge perceptions of black women’s theatre work as inherently feminist. Drawing on black feminist theories of identity and theories of black and feminist performance form, it analyses key themes such as migration, motherhood, sexuality, mixed race identity and interracial relationships in a range of late-twentieth and early twenty-first century black British women’s plays and performances.
C’undua 2001-2003, A Pact for Life
Publication and 2 DVDs, one multimedia, one audio/video.
La historia de Ronald el Payaso de McDonals
Jan Fabre: Belgian Theatre Magician
Located in Miscellaneous Articles folder 4.
Falling Trees
The exhibition presented in this catalogue was inspired by an unexpected incident. A tree fell on the Finnish Aalto Pavilion in 2011 and the exhibition had to be closed. What was originally an inconvenience became a source of inspiration for three curators from Finland. Falling Trees by Mika Elo, Marko Karo and Harri Laakso revisits this disruption of an art event and creates an opportunity to see art and nature differently.
Jordan McKenzie - Occupations, 1996-2013
Spanning over 15 years, Occupations is the most comprehensive survey of Jordan McKenzie's work to date. Beginning in the 1990s, through an engagement with body based and queer performance practices, his work has gone on to explore drawing as a live activity as well as questions of class and identity.
Getting Plugged Up for Performance
This manual isn’t for theatre technicians and it doesn’t aim to make you into one. What it aims to do is give you a greater understanding of how to approach, plan and execute technical set ups in order to make your artistic visions a reality.
