Catalogue > By Keyword > performance
1673 results | Page 54 of 168
Flash Mobs, Violence and the Turbulent Crowd
Drawing on examples both past and present, the authors use the concept of turbulence to investigate trans-historical patterns in the dynamics of the urban crowd.
Studying Disability Arts and Culture - An Introduction
Complete with case studies, exercises and questions for further study, the book introduces students to the work of disabled artists and their allies, and explores artful responses to living with physical, cognitive, emotional or sensory difference.
Marina Abramović: 512 Hours
This exhibition catalogue brings together material from the artist’s private archive: images, texts, diaries and other ephemera that act as points of reference in Abramović’s oeuvre. The publication includes an essay by the exhibition’s curator, Sophie O’ Brien, and also tracks, through diary entries and photographs, Abramović’s journeys in Brazil in 2013, which informed her planning for the exhibition at the Serpentine Gallery.
Landing Stages - Selections from the Ashden Directory
A collection of writings and photographs on performance and ecology providing a comprehensive catalogue of the productions and companies developing this field.
Homage to the Horses of Saint Petersburg
Text for a work originally performed in August 1988 as “The Return of the Horse to the Riding School” in the Manege – Saint Petersburg’s Central Exhibition Hall which was once the Imperial Riding School – during the Second Festival of Experimental Art and Performance
Interdisciplinarity and Editing
Special Issue: The politics, processes, and practices of editing. Also includes sections on commissioning, authoring, submission, curation, production, and dissemination.
Public Art (Now): Out of Time, Out of Place
An international survey that brings together 40 of the most influential approaches to art in public.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Mis-appropriation and re-appropriation: An interview with Oreet Ashery
The present interview is a discussion about Oreet Ashery’s diverse body of work with a focus on the most recent work Party for Freedom. It offers a clear trajectory of the artist’s early stages of work till the present and gives an account of certain creative strategies that Ashery has developed through her practice.
New medium, old archives? Exploring archival potential in The Live Art Collection of the UK Web Arch
This article speculates about the new kinds of historical information that performance scholars may be able to preserve as a result of recent innovations in web archiving.
Gómez-Peña on Illness, the Human Body, Performance, and Quantum Physics
Guillermo Gómez-Peña talks viral infection, nomadic performance, immobility, psychomagic performance, and convalescence.
