A book about theatricality and spectatorship in the early twenty-first century. In a wide-ranging analysis that draws upon theatrical, visual and philosophical approaches, it asks how spectators and audiences negotiate the complexities and challenges of contemporary experimental performance arts.

This catalogue explores different artistic strategies, notions and formats for developing performances in public space, using specific sites in Berlin as platforms to “embody” the city. Featured authors/artists: Bettina Wagner, Dovrat Meron, Grasiele Sousa & Lucio Agra, Michaela Muchina, Nathalie Fari, Paula Hildebrandt 

Video documentation, trailer and still pictures from Felipe Osornio’s – aka Lechedevirgen Trimegisto –  “Inferno Variete – Devoción”, a performance project recovering and reinterpreting the theoretical and historical approaches of artists, activists, academics and representative figures around the themes of masculinity, violence against sexual minorities, gender performativity, decolonialism and body art.

A catalog of work from a 2014 exhibit by Jamie McMurry entitled “Above Snakes”

A collection of postcards documenting a collaborative series of performances by visual artists Frances Mezzetti and Pauline Cummins from 2008 to 2014.

An anthology celebrating The Final Academy and featuring the contributions of Joe Ambrose, Bee, Michael Butterworth & John Coulthart, Fritz Catlin, Emma Doeve, Paul A Green, Phil Hine, Spencer Kansa, Cabell McLean, John May, Jack Sergeant, John Balance, and unpublished interviews with William S. Burroughs and Terry Wilson. For related audio CD see REF D2190.

This publication / scrapbook is largely comprised of old photographs and illustrations from the artist life and carrer as a pleasure activist. 

Part of “Negación y Utopía” (“Nagation and Utopia”), the first National Festival of Performance of Mexico, 6-29 November 2013, a platform showcasing work on Mexican identity and multicultural hybrids. This documentation includes recordings of the performance, exerpts, and interviews with the artist. Spanish language.

Part of “Negación y Utopía” (“Nagation and Utopia”), the first National Festival of Performance of Mexico, 6-29 November 2013, a platform showcasing work on Mexican identity and multicultural hybrids. This documentation includes recordings of the performance, exerpts, and interviews with the artist. Spanish language.

Part of “Negación y Utopía” (“Nagation and Utopia”), the first National Festival of Performance of Mexico, 6-29 November 2013, a platform showcasing work on Mexican identity and multicultural hybrids. This documentation includes recordings of the performance, exerpts, and interviews with the artist. Spanish language.