The artist’s account of being denied entry at the country of Bahrain’s border. Miscellaneous folder #4.

In this essay, Tania El Khoury considers performance through the lens of her own practice as a live artist and as a member of Dictaphone Group, a live events project El Khoury started with Abir Saksouk. What emerges is a perspective of a contemporary artist working within the frame of performance, and how one within this frame might define their own practice through experience. In Miscellaneous Articles Folder #4.

This book explores the hedgerow from many different angles, through many different art-forms and with many different collaborators. Includes writing by Lucy Cash, Maddy Costa, Mary Paterson, Rajni Shah, Sue Palmer. Illustrations by Mel Sheppard. Pocket-size book in large folder.

*currently unavailable*

A catalogue of new writing on performance including essays and dialogues around emergency.

Catalogue including a selection of the most representative projects developed by the Mexican artist between 2000-2005.

A survey of performance history of women Mexican artists. Spanish language.

Lois Keidan discusses “Anniversary – an act of memory”, Monica Ross’s most recent series of work that took the form of a series of recitations of the Universal Declaration of Human Rights (UDHR) from 2005 until her death in 2013. of Acts of Memory. 

The author reflects on the “Monica Ross: A Symposium” that took place at the British Library, London, on Friday 28 November 2014, in celebration of the institution’s acquisition of Ross’s digital archive.

Recording of an event dedicated to Manuel Vason’s publication Double Exposures, a collaboration with 40 of the most visually arresting artists working in performance in the UK. With Manuel Vason, Hugo Glendinning, Lois Keidan, Alastair MacLennan, Aine Phillips, Marisa Carnesky and the Famous Lauren Barri Holstein. 

72-82 tells the story of the first ten years of Acme Studios and their ground breaking work providing artists’ housing and studios in London. It also features some of the pioneering exhibitions at the Acme Gallery that was based in Covent Garden from 1976-81. The film comprises visual archive materials brought to life by the voices of the artists involved. Interviewees include: Cosey Fanni Tutti, Jock McFadyen and David Critchley.

This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)