Documentation from the project by Zoë Gingell and Eve Dent; includes exhibition programme, blog posts, and The Guardian review.

Part of Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal (P3025).

Stills from the performance, which comprised of over 300 images and took place in 2 parts; part one is performed in a photography studio, with the photographer the only spectator.

Part of Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal (P3025).

An in-depth research on the theme of borders and motherhood.

Part of Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal (P3025).

One woman show narrating and constructing a self or a body.

2008

A duet collaboration between two choreographers (one disabled, one non-disabled) working together on dance performances that touch the borders of mainstream assumptions about implicit and explicit images of ‘the contemporary dancer’ and the different potentials for our bodies to be seen as knowing, skilful and passionate.

Work in progress (2007).

Includes a research document and a short WIP edit.

Examines laughter among actors, among audience, and the interaction between the two. Exploring the many uses and effects of laughter in theatre, Weitz considers laughter as a tool of political resonance, as social commentary, and as one of the oldest rhetorical devices.

All performance depends upon our abilities to create, perceive, remember, imagine and empathize. This book provides an introduction to the evolutionary and cognitive foundations of theatrical performing and spectating and argues that this scientific perspective challenges some of the major assumptions about what takes place in the theatre.

Published as a result solo exhibitions, at Kunsthalle Zurich (2009) and MK Gallery (2010). Includes images, interviews and essays. In German and English.

Made for Out of the Ordinary Places (OOTO Places), an Ideas Test programme working in four areas of North Kent where commissioned artists created projects shaped by people and place. Developed to support more people to get involved in the arts, four new projects took place in Iwade, Sittingbourne, Strood and the Isle of Grain. OOTO Places explores how local residents and artists can co-create new and experimental work that reimagines and challenges perceptions of place and in turn raises wider social and political questions.

Through detailed case-studies on the work of key international theatre companies such as the Elevator Repair Service and The Mission Business, Blake explores how the digital is providing new scope for how we think about the theatre, as well as how the theatre in turn is challenging how we might relate to the digital.