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America audience Britain capitalism carnival civil society community democracy England ethics Europe feminism feminist theatre Fredric Jameson freedom globalisation history human rights identity ideology Jacques Derrida Judith Malina Living Theatre Lloyd Johnston Manchester memory Michel Foucault Minotaur performance performative politics postmodern performance Richard Schechner Robert Hewison socially engaged spectacle theatre Tiananmen Square tradition universal declaration of human rights Victor Turner Vietnam Welfare State International Wooster Group working class

activism agitprop Appalachia architecture Bay Area Chris Edaakie conceptual art cyberspace dance Denver design film folk art gender grassroots human rights income internet Isangmahal Arts Kollective Keith Knight Lily Yeh low-income Minneapolis Mujer Artes new media New Mexico New Orleans New York performance Philadelphia politics prisoners public art Rhodessa Jones Ricardo Levins Morales San Antonio Seattle social change social justice theatre Tom Hansell Tory Read universal declaration of human rights USA Village of Arts and Humanities visual art women young artists young people Zuni

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aesthetics appropriation audience Cixous colonialism dramaturgy Eugenio Barba Faust gesture human rights Indiande interculturalism intertext language Mahabharata minority Mnouchkina multiculturalism perception performance performance analysis Peter Brook politics postcolonialism semiotics subtext theatre theory universal declaration of human rights video Western culture

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