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Sacred Symposium
Artist/Author: a.a.s (aasgroup.net) Johanna Linsley | Reference: D1540 | Type: DVD

How might performance engage us in thinking and feeling our relationship to money, magic, pretending, imagination: what is it we are looking for in the make-believe world we live in?

banking belief Chelsea Theatre credit credit crunch dependency faith finance financial crisis Jen Mitas Johanna Linsley Karen Christopher live art Lois Weaver London markets money Nicholas Ridout Ontological-Hysteric Theater performance PS122 recession Richard Foreman Richard Maxwell SACRED Sacred: US Radical Sara Jane Bailes Sara Juli Schizoproductive Performance Fiction Vallejo Gantner

What is Live Art?: Korean Subtitles
Artist/Author: Joshua Sofaer | Reference: D1743 | Type: DVD

A five minute video infotainment.

Joshua Sofaer LADA oxford street performance provocation public space

What is Live Art?
Artist/Author: Joshua Sofaer | Reference: D1536 | Type: DVD

A five minute video infotainment.

Joshua Sofaer LADA oxford street performance provocation public space

Seaclipse / Sharing a Shadow
Artist/Author: Anne Bean | Reference: V0435 | Type: Video

An Arts Catalyst Project

installation performance visual art

Sacred Symposium: A Make Believe World
Artist/Author: Aoife Monks, Sophie Nield | Reference: D1524 | Type: DVD

Value is an expression of belief: if we believe that such and such a company, or bank, possesses the assets it purports to possess, then, in effect, those assets exist. The moment we stop believing, the value of the company or bank collapses, and the assets in question cease to exist. A credit crunch is what happens when people suddenly stop believing in the financial system – or when we start to wonder why we believe what we are seeing on stage. Symposium Notes

acting ADS belief Chelsea Theatre credit dependence imagination Jen Mitas Karen Christopher Lois Weaver Magic Make Believe money New York City Players Nicholas Ridout performance pretence pretending provocation reality Richard Foreman Richard Maxwell SACRED Sara Jane Bailes Sara Juli the real theatre US Radical Vallejo Gantner value

Late-night Cabaret pt.2
Artist/Author: Scottee, A. Lame, Bryony Kimmings | Reference: D1516 | Type: DVD

Event documentation.

Amy Lamé Bryony Kimmings cabaret Chelsea Theatre performance SACRED Scottee trash US Radical vaudeville

Body Art / Performing The Subject
Artist/Author: Amelia Jones | Reference: P0013 | Type: Publication

This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)

Ana Mendieta Bob Flanagan body art Carolee Schneemann feminism gaze Hannah Wilke Laura Aguilar Lyle Ashton Harris Lynda Benglis object ORLAN performance postmodernism representation Sheree Rose Shigeko Kubota subversive Vito Acconci Yayoi Kusama

Franko B
Artist/Author: FAM | Reference: P0018 | Type: Publication

three copies. This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)

body art Franko B pain performance

Manifestas 2: Cabula situacionista
Reference: P0305 | ISBN: 968-29-9889-1 | Type: Publication

*currently unavailable*

Mexican catalogue in conjunction with Ex Teresa Arte Alternativo.

archive performance

Blast Theory’s Rider Spoke, its Documentation and the Making of its Replay Archive
Artist/Author: Blast Theory, Various | Reference: A0342 | Type: Article

Contributions from Gabriella Giannachi, Duncan Rowland, Steve Benford, Jonathan Foster, Matt Adams & Alan Chamberain

archive communication cycling digital digital performance game GPS interactive Jacques Derrida Michel Foucault mixed reality new media performance social networking wi-fi

Donation