Catalogue > By Keyword > performance art
933 results | Page 74 of 94
Live Art in Schools
A short journal arguing for Live Art in the national curriculum circa 1990s
Bleeding The Aid
Part of Fresh AiR Platform. NOTE: documentation is in 17 parts, all held in folder EF5058. Files are labelled: EF5058_mcgarrity_bleeding_the_aid_1-17.mov
Submerged (Fresh AiR Platform performance)
Fresh AiR Platform is an opportunity for emerging artists to introduce their work to audiences. Luci Fiction, Submerged, mentored by Ron Athey, Queen Mary University of London.
How 2 Become 1 (Fresh AiR Platform Performance)
Fresh AiR Platform is an opportunity for emerging artists to introduce their work to audiences. Lauren Holstein’s How 2 Become 1 is mentored by Stacy Makishi, Queen Mary University of London. NOTE: documentation is in 3 parts, all held in folder EF5053. Files are named: EF5053_holstein_how_2_become_1_1-3.mov
I Don’t Remember Exactly When It Happened… (Fresh AiR Platform performance)
Fresh AiR Platform is an opportunity for emerging artists to introduce their work to audiences, Katy Baird, I Don’t Remember Exactly When It Happened…, mentored by Oreet Ashery, Queen Mary University of London.
Frequency Experimental Live Art 2 and 3
Writings and discussions on the festivals in Chengdu.
Kick to the Head and Heart of Art
Reveals an experimental process of how drawing and kickboxing come together artistically and philosophically. Accompanying Book: P1935
Agbo Rago Jelili Atiku in Performance
Discussion and documentation of Jelili Atiku’s performances in Nigeria.
Jack Smith’s Rehearsals for the Destruction of Atlantis: ‘Exotic’ Ritual and Apocalyptic Tone
Engaging a series of critical models, this article examines the place of the ‘exotic’ in thinking about sexual and racial difference, as a means of thinking difficult or volatile modes of cultural practice. As such, it stages a confrontation between ‘exotic ritual’ and ‘apocalyptic tone’, to challenge conventions about scholarly practice and find new ways of examining uncomfortable spaces and modes of working.
Club Years
A collection of Went’s early performances. (1977-1987)
