Catalogue > By Keyword > performance art
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The Performance Dinners
Documentation of The Subjectivity and Feminisms Research Group’s Performance Dinners, in which artists and academics are invited to ‘perform’ their response to the evening’s theme, addressing the relationship between subjectivity and the artwork, particularly in regard to feminist theories. Contributors: Mo Throp, Maria Walsh, Verina Gfader, Georgina Starr, Kate Smith, Leda Papaconstantinou, Monika Oechsler, Katherine Meynell, Despina Meimaroglou, Rebecca Fortnum, Sutapa Biswas, Laura Malacart, Catherine Maffioletti, Claire MacDonald, Dominika Kieruzel, Susan Kelly, Rebecca Hallifax, Lucy Gunning, Fran Cottell, Brian Dawn Chalkley, Jo Bruton, Katie Baker, Gill Addison, Claudia Kappenberg, Celestin Edwards, Maria Walsh, Sarah Tremlett, Ana Laura Lopez de la Torres, Sissu Tarka, Sarah Smith, Lucy Reynolds, Anita Ponton, Susannah Pal, Jo Mitchell, Catherine Maffioletti, Claire Walsh, Marcia Farquhar, Sharon Bennett, Oreet Ashery, Yolande Burgin, Rose Cronin, Elisha Foust, Oriana Fox, Dominika Kieruzel, Elena Loizidou, Kristen Lovelock, Caroline Smith
Frankly Speaking: a collection of essays, writings and rants
A collection of prose by Frank Moore, covering from the late 1970s until the artist's death in 2013.
hitparaden: International Festival for Performancekunst
Series of photographic postcards documenting performances from the hitparaden International Festival for Performancekunst, Pumpehuset, Copenhagen, 16-19 May 2013.
Dead Flowers
Based on the work of Timothy Carey, Dead Flowers features new scholarship on this actor and filmmaker’s cultural contributions through the lens of contemporary art. Contributors: Charles Atlas, Alvin Baltrop, Genesis Breyer P-Orridge, Johanna Constantine, Marti Domination, Scott Ewalt, Georg Gatsas, Brandon Olson, Kembra Pfahler, Cynthia Plaster Caster, Tabboo!, Paul Thek, Stephen Arnold, Vaginal Davis, G.B Jones, Andrew Meyer, Edward Owens, Luther Price, Tom Rubnitz, Werner Schroeter, Suzie Silver, Johanna Fateman, Andrew Suggs, Randall Wilcox, Douglas Crimp, Gary Indiana, Romeo Carey, Vassily Bourikas, Antony, Max G. Morton, Doug McClemont, Alexandra Blattler, Bruce LaBruce, Michael Vannoy Adams, Elisabeth Kley, Eileen Myles, Ed Halter, Lia Gangitano.
Male Trouble: Masculinity and the Performance of Crisis
Male Trouble explores how Wetern masculinity has increasingly appeared as a troubled gender category in recent times, using a variety of performative case studies. Includes a chapter on work by Ron Athey and Franko B.
Vito Acconci, In Conversation at Acconci Studio, New York
Vito Acconci in conversation at Acconci Studio, New York with the Halpern-Rogath Curatorial Seminar at the University of Pennsylvania
Marina Abramović Institute
This volume, published in conjunction with the opening of the MAI – Marina Abramović Institute for the Preservation of Performance Art – the only venue of its kind for the conservation, production and enjoyment of long-duration performances – is not only a celebration of the project, but also a summary of Abramović career
Institution for the Future
Institution for the Future is an archive of ideas bringing together reflections by artists, curators and other cultural workers on what an institution for the future should and needs to look like. With contributions from Ade Darmawan, Alexandra Hodby, Alistair Hudson, Dmitry Vilensky, Dorothea von Hantelmann, Elaine W. Ho, Gerald Raunig, Hans Ulrich Obrist, Hu Xiangqian, Ho Tzu Nyen, Jens Hoffmann, Joao Ribas, Jun Yang, Keren Cytter, Liu Ding, Marina Abramovic, Michael Lee, Monika Szewczyk, Nikita Yingqian Cai, Richard Streitmatter-Tran, Roslisham Ismail, Ise, Sam Bower, Seng Yujin, Third Belgrade, Tino Sehgal, Vandy Rattana and Yoko Ono.
What’s The Story? : Essays about art, theater and storytelling
Anne Bogart’s collection of essay explore the storytelling impulse and asks how she, as a “product of postmodernism”, can reconnect to the prima act of making meaning and telling stories.
Bas Jan Ader: Death is Elsewhere
The first in-depth study of this enigmatic conceptual artist, Bas Jan Ader is a thoughtful reflection on the necessity of the creative act and its inescapable relation to death
