Ron Athey contributes to the fourth installment of the Walker Art Center Artist Op-Eds series. Examining the thinking of artists as citizens and change-makers, this series of commissioned opinion pieces features provocative reactions to the headlines.

This publication is an edition of Track Report dedicated to the archive of the event. The University Centre Saint-Ignatius Antwerp introduces two performance artists – Harry Gamboa, a Los Angeles-based Chicano artist, and Ria Pacqué, a Belgian body and performance artist – to the master students and to the Belgian art audience through a week of lectures, seminars, explorations and actions here documented. 

A compilaton of the Swiss duo’s extensive performance documentation. A large selection of photographs offers an overview of their live performative events. In German and English.

This exhibition catalogue brings together material from the artist’s private archive: images, texts, diaries and other ephemera that act as points of reference in Abramović’s oeuvre. The publication includes an essay by the exhibition’s curator, Sophie O’ Brien, and also tracks, through diary entries and photographs, Abramović’s journeys in Brazil in 2013, which informed her planning for the exhibition at the Serpentine Gallery.

MANUAL is a collaborative publication by performance artist Victoria Gray and writer-artist Emma Cocker. The publication is a response to Berthing Bone, a video work by Victoria Gray. MANUAL complrises photographic stills from the video Berthing Bone, alongside writing by Gray and Cocker.

A collectio of texts and images on the work of the German choreographer and dramaturg. Photos by Rosa Frank, Luca Giacomo Schulte, Jacqueline Chambord and Raimund Hoghe. Texts in English, French, German.

Copy of a manuscript taken from a 2010 PhD in the Department of Visual Culture at the National College of Art and Design in Dublin.

This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)

Documentation of the work shown within the framework of the workshops “Cleaning the House Project ” from Marina Abramović at the NMAC Foundation in summer 2004. All the performances took place on Saturday the 19th of June in the forest which plays host to the NMAC Foundation’s sculpture trail. Text in Spanish and English.

Review of the exhibition Performance Now, Queensland University of Technology (QUT) Art Museum, 6 Dec 2014-1 March 2015, Brisbane.

This art book deals with the work of the Trace Collective, and includes both critical essays and images.