Catalogue > By Keyword > performance art
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Abramović Method for Treasures programme
Taking her starting point in sources such as the letters of Kierkegaard, Saxo's chronicles of Danish history, and the observations of Tycho Brahe, Abramović has created an immersive total installation that includes a range of rituals, an audio system and specially designed shelves for people.
The Royal Danish Library, Copenhagen, 21 June 2017 – 21 March 2020.
Psychoanalyst Meets Marina Abramovic: Artist meets Jeannette Fischer
A unique insight into the relationship between Abramovic’s biography and artistic work.
Artists in the Archive: Creative and Curatorial Engagements with Documents of Art and Performance
Explores the agency and materiality of the archival document through a collection of critical writings and original artworks,
My Name is Black
Performance at Studio 21, Kolkata. Part of Kolkata International Performance Arts Festival 2014
Sculpture Since 1945
Examines innovative and avant-garde works in relation to contemporary events, festivals, commissions, the marketplace, and the changing functions of museums.
Performance art’s “master” Tehching Hsieh on the importance of isolation
An interview conducted at LADA’s new home in the Garrett Centre, Bethnal Green attempts to find out why the artist gave over his life to art.
Jeremy Shaw’s DMT
On curating psychedelic experience.
Grabbing Pussy
Based on her widely praised performance piece Unicorn Gratitude Mystery, Finley’s book explores the Shakespearean dynamics that surface when libidos and loyalties clash in the public and private personas of Donald Trump, Hillary and Bill Clinton, Huma Abedin and Anthony Weiner, and now Harvey Weinstein.
Part of the Library of Performing Rights (LPR) (P3041).
Solitary Pleasures
Created to accompany the Solitary Pleasures exhibition at the Freud Museum, London in Spring 2018, this publication is a secret museum, a treasure trove of insightful and delightful drawings, sculptures, photographs, video stills, artefacts, performative gestures, and ephemera – as well as specially commissioned texts – on a subject at the heart of Freudian and post-Freudian sexuality, eroticism, and desire: masturbation.
Sweet and Sour and Super-t-Art
Examines how Hannah Wilke explored the relationship between sexual and gustatory taste in her performance Super-T-Art (1974), which she created for Jean Dupuy’s event Soup & Art held at the Kitchen in New York Cit
