Nothing In My Pockets is a sound diary, concieved for the Atelier de Creation Radiophonique de France Culture, kept between July and October 2003. An intimate journey into the artist's personal universe. 2 CD's are presented with previously unpublished visual and text documentation.

For over 20 years Marina Abramović has collected materials from film, dance, theatre, music, rituals and performance. For her lecture at Live Culture she wound through a personal visual archive of performance related materials focused around the performing body, its mental and physical limits.This documentation has since been presented with the permission of the artist as part of the Performance Matters, Performing Idea, Performance Lecture Archive; an interactive video archive housed at the Whitechapel Gallery between 2-9 October 2010. The archive looked at examples of the performance lecture as a form of artistic and critical expression and its potential to address a broad range of cultural issues and philosophical ideas.

Documentation of large scale performance using breeze blocks to build a temporary monument to celebrate Salisbury’s most famous and permanent one. Located and inspired by Salisbury cathedral, the piece involved 25 performers, singers and musicians, the Festival chorus and over 10,000 breeze blocks. The performance itself consisted of a network of proverbial and allegorical narratives which were given an architectural and sculptural form – a version of Breughel’s Netherlandish Proverbs.

Extracts from exhibition catalogue for “East Village USA” at the New Museum of Contemporary Art revisiting the sprawling, renegade art scene that flourished in the East Village during the 1980s. Text partially obscured.

2014 exhibition pamphlet including chorus lyrics.

Rolf and Heidi Abderhalden of Mapa Teatro direct the Ópera de Colombia in the ‘The Magic Flute’ by Wolfgang Amadeus Mozart.

Collection of archive footage includes concert excerpts and interviews. DVD.

Researching archived and contemporary memories of Brixton

From ritualistic horror and challenging meta-theatre, to discussions about dissection and death, this programme of events directs audiences towards moments of collision and discovery.

Body: Language is a series of public conversations in which choreographers and artists consider the role of the body in their work. This edition features a conversation between series curator Guy Cools, Jonathan Burrows and Matteo Fargion about the musical body.