Part of “Negación y Utopía” (“Nagation and Utopia”), the first National Festival of Performance of Mexico, 6-29 November 2013, a platform showcasing work on Mexican identity and multicultural hybrids. This documentation includes recordings of the performance, exerpts, and interviews with the artist. Spanish language.

This art book deals with the work of the Trace Collective, and includes both critical essays and images.

Catalogue of exhibition held at the Jüdisches Museum Munich 26/02-09/06 2014.

A small publication based around the ‘My Home is my Museum’ project, which looks at the personal treasured objects that reside in our homes and from which we create our personal narratives.

Exhibition catalogue of the retrospective at The Musee d’Art Moderne de la Ville de Paris in 1996.

Last book of Geography trilogy (including Geography and Tree), three books connected thematically by racial identity and the related dance projects choreographed by Lemon. Illustrated with family photos, original art, and photos of the performance. 

This essay extracted from Études Irlandaises (n° 39-1) examines “Redress” (2010-2012), a series of performances by artist Áine Phillips that interrogate the legacy of abuse perpetrated in Irish residential institutions in the 20th century.

This volume presents Israeli installation artist Sigalit Landau’s project- “The Dining Hall” – a political take on ritualized eating as cultural metaphor, exhibited at Berlin’s KW Institute in early 2008.

The print edition is a limited signed and numbered copy of documents from the performance by the same title and an account of the process.

An account of visits to various remote places in order to evoke their spirit of wildness punctuated with reflections on climate change, on destruction of habitat, and on the matters of time and belonging. This item is part of the Study Room Guide to Remoteness (P2600).