Catalogue > By Keyword > memory
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The Bruce Lacey Experience: Paintings, Sculptures, Installations and Performances
He could be considered a latter-day English Dadaist, but Bruce Lacey's place in 20th-Century British Art is still uncharted and ill-attended to. He goes missing in critical accounts of mid- and late-century art and this short monograph is an attempt to remedy the omission by analysing his work in relation to the shifting cultural contexts of the period.
Feminist Futures? Theatre, Performance, Theory
Feminist Futures? sets out to ask if and in what way feminism remains relevant to theatre and performance practice of the twenty-first century. Responding to this question is an excellent, cross-generational mix of theatre scholars and practitioners whose essays engage in lively, cutting edge critical debates on issues such as citizenship, autobiography, cultural heritage, political agency, and body/technology, as circulating in contemporary feminism and performance today.
Shakti
This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
Throwing the Body into the Fight: A portrait of Raimund Hoghe
First English language publication dedicated to Raimund Hoghe, operating as a collage,drawing together a variety of international voices to create a fragmented portrait of the artist
How Things Used To Be Now: A Transpective
While You Are With Us Here Tonight
Organised around the text from ‘First Night’ (2001) the book reflects on Etchells’ practice with Forced Entertainment and solo work, while exploring contemporary performance documentation.
(Syn)aesthetics: Redefining Visceral Performance
Approaches to thinking, writing, producing and receiving (syn)aesthetic performance
Histories & Practices of Live art
This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)
Performance Paper – The Pigs of Today are the Hams of Tomorrow
Publication accompanying the homonymous symposium: a collaboration between Plymouth Arts Centre and artist Marina Abramovic to produce a performance event that explored the history and future of the artist’s work. Newspaper-style publication in large folder.
3 Solos Em 1 Tempo – 3 Solos in One Time
Video document of performance. With movements both hers and of other choreographers, Denise Stutz guides the audience through a personal and emotional history of Brazilian contemporary dance. The memory of the body and its relationship to identity – as well as how this is inscribed in space and relates to the public – motivate and shape this solo.
