Catalogue > By Keyword > live art
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Live Art Magazine
A collection of Live Art Magazine dating between 1999 and 2002.
ICA Live Arts
*currently unavailable*
A collection of programmes of the ICA live art activities between 1993-1996
The Tanks at Tate Modern
Programme notes from Tate Tanks 18 July – 28 October.
n.paradoxa: International Feminist Art Journal
Journal discussing Feminist Aesthetics. Key Articles: María Laura Rosa ‘Our bodies, our history: Mujeres Públicas’s activism in the city of Buenos Aires’ Veeranganakumari Solanki ‘Aesthetics and Identities: interview with Reena Saini Kallat’ Eileen Legaspi-Ramirez ‘Questions and Answers: interview with Lani Maestro’ Anna Bunting-Branch and Rose Garrard ”Frames of Reference’ Rose Garrard: Interview’ Ming Turner ‘Quasi-skin and post-human: Lin Pey Chwen’s Eve Clone series, Bracha L. Ettinger ‘Artists’ Pages’ Carol Archer ‘Womanly Blooms: Cai Jin’s Beauty Banana Plant Paintings’ Marta Cenini ‘Coco Fusco’s Room:Rethinking Feminism after Guantanamo’ Christine Conley ‘Making Space for Utopia, FAG and the Aesthetics of Activism: Christine Conley interviews Allyson Mitchell and Deirdre Katy Deepwell ‘Re.act Feminism: feminist, gender-critical and trans-gender performance art: Katy Deepwell interviews Bettina Knaup and Beatrice E. Stammer’ Maria Photiou ‘The Green Line: Greek Cypriot Women Artists’ Politicised Practices, Lia Lapithi and Marianna Christofides’ Women on the Verge, Duba’ Women Artists at Manifesta, Genk, Women Artists at Arsenale, Kiev Women Artists at Documenta 13, Kassel.
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
Performance Matters: Trashing Performance
Trashing Performance event programme. In miscellaneous folder 3.
Leaving Art: Writings on Performance, Politics, and Publics, 1974–2007
Thirty texts written by Suzanne Lacy since 1974.
Art, Live and Videotape
Four performance artists meet to consider the use of video in their work and their relationship to the medium. Can be found in Miscellaneous folder number 3
Conceptual Archaeology: Performance Art in Southwest China
Article discussing Performance Art in Southwest China. Can be found in Miscellaneous folder number 3
The Aesthetics of Risk: SoCCAS Symposium Vol. III
Images and dialogues exploring contemporary art’s engagements with risk.
Mapping the Terrain: New Genre Public Art
A critical framework for understanding and interpreting the new public art that has emerged over the last two decades. Featuring twelve essays from editor Suzanne Lacy: and eleven eminent artists, curators, and critics. Chapters titled as follows: An Unfashionable Audience, Public Constructions, Connective Aesthetics: Art After Individualism, To Search for the Good and Make It Matter, From Art-mageddon to Gringostroika: A Manifesto against Censorship, Looking Around: Where We Are, Where We Could Be, Whose Monument Where? Public Art in a Many-Cultured Society, Common Work, by Jeff Kelley, Success and Failure When Art Changes, Word of Honor, Debated Territory. This item is referenced in the Dreams for an Institution Guide (P2313).
