Catalogue > By Keyword > language
121 results | Page 8 of 13
Paradigms of Participation: Wim Delvoye and Wafaa Bilal’s Tattooing Performances
From Performance Research – on philosophy & participation.
Trashing Performance, Common Panel
Part of the Trashing Performance programme – the second year of Performance Matters – 25-29th October 2011.
Invisible Things
A book about devising, structured as a series of themed chapters intercut with case studies of key elements of the creative process.
Back to Futurism
Documentation of more than 150 artists who participated in Performa 09.
Dirty Literature
Dirty Literature: Electra presents a series of performances and readings exploring the moment when language threatens (or promises) to become illegible, at the National Portrait Gallery, 2011, curated by Fatima Hellberg.
Good Luck Everybody. Lone Twin Journeys Performances Conversations
The book contextualises, documents and analyses Lone Twin’s work. It explores their interest in live performance, journeys, places, language, narrative and image, and includes original interviews, essays, performance texts and photographs.
This item is referenced in the Making Routes Study Room Guide (P1964).
almost everything in life almost didn’t happen
Reflects the body as source of language, the image as the parameter of expression and the sound (such as noise, language) as medium of meaning.
The Cyberspace Lexicon
Performing Idea: Performative Writing
Performance Matters: Performing Idea – Performative Writing 8th October 3.00-7.30pm (not 7th as stated on disk) Toynbee Studios.
Live Culture Symposium: Performance and the Contemporary
Lecture given by Guillermo Gomez Pena from Live Culture Symposium: Performance and the contemporary at TATE Modern, 29-30 March 2003.This documentation has since been presented with the permission of the artist as part of the Performance Matters, Performing Idea, Performance Lecture Archive; an interactive video archive housed at the Whitechapel Gallery between 2-9 October 2010. The archive looked at examples of the performance lecture as a form of artistic and critical expression and its potential to address a broad range of cultural issues and philosophical ideas.
