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Posthuman Spiritualities in Contemporary Performance: Politics, Ecologies and Perceptions
Examines five performance/artworks: The Artist is Present (2010) by Marina Abramović; The Deer Shelter Skyscape (2007) by James Turrell; CAT (1998) by Ansuman Biswas; Journey to the Lower World by Marcus Coates (2004); and the work with pollen by Wolfgang Laib.
When Species Meet
Contemplates the interactions of humans with many kinds of critters, especially with those called domestic.
Encounters in Performance Philosophy
A collection of 14 essays by international scholars and practitioners from across the disciplines of Philosophy, Literature and Theatre and Performance Studies, addressing the nature of the relationship between philosophy and performance.
Gender Trouble
Arguing that traditional feminism is wrong to look to a natural, ‘essential’ notion of the female, or indeed of sex or gender, Butler starts by questioning the category ‘woman’ and continues in this vein with examinations of ‘the masculine’ and ‘the feminine’.
The Little Book of Answers Vol.1
Compiles the correct answers of six UK naturalisation exams.
Part of the Library of Performing Rights (LPR) (P3041).
From Acting to Performance: Essays in Modernism
Surveys the changes in acting and performance during the crucial transition from the ecstatic theatre of the 1960s to the ironic postmodernism of the 1980s.
To All Appearances: Ideology and Performance
The author’s concerns – which include the social meaning of illusion and the cultural manifestation of power – take the reader from Eleanora Duse to Laurie Anderson; from the puppet theatre of Kleist to Kantor’s theatre of the dead; and from the Kutiyattam temple dancers in Kerala to Womanhouse in Los Angeles.
Touch Me Festival 2017
Festival / exhibition catalogue. 6-18 October 2017.
In Croatian and English.
Repetition in Performance: Returns and Invisible Forces
While considering repetition in relation to the difficult pleasures we derive from the theatre, this book explores ways of accounting for such experiences of theatre in memory and writing.
Theatre at the Crossroads of Culture
Despite the problematic politics of cultural exchange in the theatre, interculturalism is not a one-sided process. Using the metaphor of the hourglass to discuss the transfer between source and target culture, Pavis asks what happens when the hourglass is turned upside down, when the `foreign’ culture speaks for itself.
Part of the Library of Performing Rights (LPR) (P3041).
