Catalogue > By Keyword > LADA
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Empty Stages, Crowded Flats: Performativity as Curatorial Strategy
Investigates an array of staged situations, from choreographed exhibitions, immaterial museums, theatres of negotiation, and discursive marathons, to street carnivals and subversive public-art projects, and asks how ‘theatre-like’ strategies and techniques can in fact enable ‘reality making’ situations in art, and how, as a consequence, curating itself becomes staged, dramatised, choreographed, and composed.
PLAYING UP: A Live Art Game for Kids and Adults
Exploring the potential of Live Art to bridge generations andrawing on key Live Art themes and seminal works, PLAYING UP takes the form of a game played by adults and kids together.
Create News May 2012
Print newsletter from Create Ireland, with guest writer Joshua Sofaer introducing the Collaborative Arts Performance Pack.
Hotel Obscura programme (2)
Large format programme for Hotel Obscura (Vienna performances). In German.
Barbers of East London
A new publication celebrating the various communities of barbershops across East London. Comissioned by CUT Festival: The Art of Barbering.
LADA Annual Review 2015/16
A publication highlighting a selection of the many events, opportunities, publications and research projects that LADA produced over the course of 12 months in 2015/16.
Vibrations III
Third edition of the open-access art journal for creative writing.
Nando Messias leaflets
Handout and info for Shoot the Sissy LADA Screens event.
Turn, Turtle! Reenacting The Institute
Sx essays, three interviews, and six case studies of performance makers, institution directors, and thinkers, proposing diverse strategies of implication and engagement, opening up possible futures and alternative exchanges between parties that are often too often still seen as adversaries.
The Live Art Almanac Volume 4
A collection of ‘found’ writings about and around Live Art that were originally published, shared, sent, spread and read between January 2012 and December 2014. Selected through recommendations and an open call for submissions, Volume 4 reflects the dynamic, international contexts that Live Art and radical performance-based practices occupy.
