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The Visual Force: Collective Histories of Northern Irish Art
The Visual Force is the sixth instalment in the series Collective Histories of Northern Irish Art. Taking Joseph Beuys’ visit to Belfast, in 1974, as a starting point, Sverakova’s exhibition looks at the works of artists across three generations, whose works were in some way landmarks in their field. Featured artists: John Aiken; Vivien Burnside; John Carson; Brian Connolly; Martina Corry; Lynne Davies-Jones; Ciara Finnegan; Adrian Hall; Tony Hill; Ronnie Hughes; Steve Hurst; Sharon Kelly; Fiona Larkin; Alistair MacLennan; Paddy McCann; Moira McIver; Peter Richards; Dan Shipsides; Theo Sims; Una Walker and Charles Walsh.
Dead Flowers
Based on the work of Timothy Carey, Dead Flowers features new scholarship on this actor and filmmaker’s cultural contributions through the lens of contemporary art. Contributors: Charles Atlas, Alvin Baltrop, Genesis Breyer P-Orridge, Johanna Constantine, Marti Domination, Scott Ewalt, Georg Gatsas, Brandon Olson, Kembra Pfahler, Cynthia Plaster Caster, Tabboo!, Paul Thek, Stephen Arnold, Vaginal Davis, G.B Jones, Andrew Meyer, Edward Owens, Luther Price, Tom Rubnitz, Werner Schroeter, Suzie Silver, Johanna Fateman, Andrew Suggs, Randall Wilcox, Douglas Crimp, Gary Indiana, Romeo Carey, Vassily Bourikas, Antony, Max G. Morton, Doug McClemont, Alexandra Blattler, Bruce LaBruce, Michael Vannoy Adams, Elisabeth Kley, Eileen Myles, Ed Halter, Lia Gangitano.
Marina Abramović Institute
This volume, published in conjunction with the opening of the MAI – Marina Abramović Institute for the Preservation of Performance Art – the only venue of its kind for the conservation, production and enjoyment of long-duration performances – is not only a celebration of the project, but also a summary of Abramović career
Institution for the Future
Institution for the Future is an archive of ideas bringing together reflections by artists, curators and other cultural workers on what an institution for the future should and needs to look like. With contributions from Ade Darmawan, Alexandra Hodby, Alistair Hudson, Dmitry Vilensky, Dorothea von Hantelmann, Elaine W. Ho, Gerald Raunig, Hans Ulrich Obrist, Hu Xiangqian, Ho Tzu Nyen, Jens Hoffmann, Joao Ribas, Jun Yang, Keren Cytter, Liu Ding, Marina Abramovic, Michael Lee, Monika Szewczyk, Nikita Yingqian Cai, Richard Streitmatter-Tran, Roslisham Ismail, Ise, Sam Bower, Seng Yujin, Third Belgrade, Tino Sehgal, Vandy Rattana and Yoko Ono.
Bas Jan Ader: Death is Elsewhere
The first in-depth study of this enigmatic conceptual artist, Bas Jan Ader is a thoughtful reflection on the necessity of the creative act and its inescapable relation to death
Performance Art from Asia
Documentation from the ‘MY EARTH STAGLINEC’ International meeting of artists in memory of ‘Antonio G. Lauer’, showcasing performance art work from around Asia. Croatia, 2013. Curated by Sinead O’Donnell. Contributors: Sinead O’ Donnell, Suzana Marjanic, Akiko Sato, Chumpon Apisuk, Chuyia Chia, Lee Wen, Makoto Maruyama, Miyako Narita, Vasan Sitthiket, Vichukorn Tangpaiboon, Tzu-chi-Yeh, Watan Wuma.
Sonia Boyce: Speaking in Tongues
The work of Sonia Boyce encourages and challenges us to ask what it means to be a black woman artist in a hierarchical art world, and to confront questions surrounding inter-racial relations in a society where cultural identities condense around myths of nationhood.
She Got Love
Ana Mendieta. She Got Love gathers over 130 works by this Cuban-American artist, created between 1972 and 1985 and chosen from among the most significant in the prolific production of her brief life.
Deep End
Documentation of a site-specific performance made for the disused Marshall Street Baths, Soho and Star Dust commissioned by Live Art Development Agency for a Variety Weekend at the newly refurbished De La Warr Pavilion, Bexhill on Sea.
112 Greene Street: The Early Years (1970-1974)
Publication on the homonyms exhibition at David Zwirner, the landmark SoHo space
