herst. Theorie Zur Praxis follows the path of the festival (21 September – 14 October 2012) in Austria, by providing reflections, portraits and interviews by or on participants of the festival.

Critical Art Ensemble is a collective of tactical media practitioners of various specializations, including computer graphics and web design, film/video, photography, text art, book art, wetware, and performance.

This film chronicles the life and work of pioneering musician and performance artist Genesis Breyer P-Orridge, starting with Throbbing Gristle in the 1970s to the still very active cult favourite Psychic TV, and how h/er chance encounter with a dominatrix/performance artist in New York called Lady Jaye brought about a singular and enduring artistic collaboration and a brazen partnership that defied all the perceptions of love.

4x books: Migration, Communication & Home, Jewish Tradition, Change & Gender in a Global World; Menschen wie Du und Ich; Stets Gern Fur sie Beschaftigit…; Heimat Kunst. Artist’s postcards, 16 x performance documentation DVDs, 1 x music CD. Collection of books and performance documentation donated to the Study Room by the artist. In German and English.

Shelved in Oversize publications section.

Artist documentation.

This publication is a contribution by the Cultural Learning Alliance to the current debate about the transformative role played by the arts and heritage in the lives of children and young people.

The first book to focus on the criticism and theory regarding queer visual art. Art & Queer Culture includes not only pictures made and displayed under the rubric of fine art but also those intended for private, underground or otherwise restricted audiences. Scrapbooks, amateur artworks, cartoons, bar murals, anonymous photographs and video installations.

Bilingual festival catalogue/pamphlet featuring performances, installations, films, workshops and discussions from the 18th International City of Women festival (on ageing), Slovenia.

From a lecture given on 7 November 2011 at the Ludwig-Maximilians-Universitat Munchen, and on 1 December 2011 at the Freie Universitat Berlin, Top Girls focuses on media images, since the late 1990s, which were intended to provoke some, imagined group of (always humourless) feminists. These images appeared, in a celebratory fashion, to reverse the clock, turning it back to some earlier pre-feminist moment, while at the same time doing so in a rather tongue-in-cheek kind of way. The prevailing use of irony seemed to exonerate the culprits from the crime of offending against what was caricatured as a kind of extreme, and usually man-hating feminism, while at the same time acknowledging that other, more acceptable, forms of feminism, had by now entered into the realms of common sense and were broadly acceptable.

This article can be found in miscellaneous articles, folder 5A.

Martha Wilson Sourcebook is the first in a new publication series by ICI that offers a fresh perspective on social, political, and cultural issues impacting artists’ practices. Each compendium is comprised of articles, letters, newspaper cuttings, extracts from books, and images that an artist selects from their own archive and annotates with personal commentaries on the themes that arise. By using this subjective approach as a lens through which to rediscover pivotal debates in art and reconsider seminal texts, as well as to introduce little-known or out-of-print material, the Sourcebook series places emphasis on the histories and theories that have had a formative influence on an artist’s thought process.