Catalogue > By Keyword > human rights
320 results | Page 2 of 32
Performance, Ethics and Spectatorship in a Global Age
Takes performance studies in exciting new directions, exploring the ways in which ethics can be used to understand the complex questions facing contemporary spectators.
Part of Library of Performing Rights (P3041)
Performing Citizenship: Bodies, Agencies, Limitations
Discusses how citizenship is performed today, through the optic of the arts, in particular the performing arts, but also from the perspective of a wide range of academic disciplines such as urbanism and media studies, cultural education and postcolonial theory.
Part of Library of Performing Rights (P3041)
The White Possessive: Property, Power, and Indigenous Sovereignty
Explores the links between race, sovereignty, and possession through themes of property: owning property, being property, and becoming propertyless.
After the Party: A Manifesto for Queer of Color Life
Tells the stories of minoritarian artists who mobilize performance to produce freedom and sustain life in the face of subordination, exploitation, and annihilation.
Part of the Library of Performing Rights (P3041).
Wandering: Philosophical Performances of Racial and Sexual Freedom
Ruminates on the significance of physical and mental roaming for black freedom.
Part of the Library of Performing Rights (P3041).
Franklin Furnace: Performance and Politics
A collection of archival materials in the Hemispheric Institute Digital Video Library that represents the historical, cultural, and political legacy of Franklin Furnace Archive, Inc.
Unlimited Action: The performance of extremity in the 1970s
It examines the ‘performance of extremity’ as practices at the limits of the histories of performance and art, in performance art’s most fertile and prescient decade, the 1970s. Dominic Johnson recounts and analyses game-changing performance events by six artists: Kerry Trengove, Ulay, Genesis P-Orridge, Anne Bean, the Kipper Kids, and Stephen Cripps.
Part of the Library of Performing Rights (P3041)
Performing Labour’s (Non)Futures Universal basic income and the monetary imagination
The universal basic income idea is, overall, profoundly performative, in that it attempts to model the ultimate pragmatism of wider social nets of generosity, and does so by representing the embodied conditions that might be brought into being by such generosity. In this way, the utopian heuristic of an unconditional, guaranteed income is said to be an ‘instrument of freedom’ and a ‘device for economic sanity’. The question is though, as is often the case: freedom and sanity for whom?
Part of the Library of Performing Rights (P3041).
Read My Lips publication
Publication accompanying a survey exhibition of image-making, community activism and public works produced by the seminal AIDS activist art collective Gran Fury between 1987 and 1995.
In misc. folder 7.
Part of the Library of Performing Rights (P3041).
Performing Endurance: Art and Politics since 1960
Examining a range of performances from the 1960s to the present, as well as protest actions from the lunch counter sit-ins of the US civil rights movement to protest camps in the twenty-first century, this book provides a formal account of endurance and illuminates its ethical and political significance.
