Catalogue > By Keyword > HIV
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A Vision of Love Revelaed in Sleep
To celebrate the inclusion of Simeon Solomon’s work in the Queer British Art 1861-1967 exhibition, Bartlett revived the piece for one night only, performing it amidst the masterpieces of the nineteenth century gallery of Tate Britain. July 2017.
Includes video of the performance and the postshow discussion with Dominic Johnson.
AIDS Demo Graphics
Depicts a history of demonstrations, sit-ins and similar steps taken by ACT UP and other groups.
Part of the Library of Performing Rights (LPR) (P3041).
Life and Death on the New York Dance Floor, 1980-1983
Interviewing DJs, party hosts, producers, musicians, artists, and dancers, Lawrence illustrates how the relatively discrete post-disco, post-punk, and hip hop scenes became marked by their level of plurality, interaction, and convergence. He also explains how the shifting urban landscape of New York supported the cultural renaissance before gentrification.
Long Suffering: American Endurance Art as Prophetic Witness
Links avant-garde performance practices with religious histories in the United States, setting contemporary performances of endurance art within a broader context of prophetic, religious discourse in the United States
Art AIDS America
The first comprehensive overview and reconsideration of 30 years of art made in response to the AIDS epidemic in the United States. This book foregrounds the role of HIV/AIDS in shifting the development of American art away from the cool conceptual foundations of postmodernism and toward a new, more insistently political and autobiographical voice.
Published on the occasion of the exhibition at the Tacoma Art Museum (October 2015 – January 2016)
Refugee Performance: Practical Encounters
Exploring theater works created for, by, and with refugees, this hybrid collection of essays combines newly commissioned scholarly work with examples of writing by refugees themselves.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Performance Lab: Ron Athey at Stanford University
Review of Athey’s Messianic Remains at the Performance studies International symposium.
Queer
This is the first anthology to bring together artist’s writings and conversations about queer practice, describing and examining the ways in which they have used the concept of queer as a site of political and institutional critique, as a framework to develop new families and histories, as a spur to action and as a basis from which to declare inassimilable difference.
Memories That Smell Like Gasoline
This volume collects four tales interspersed with ink drawings by the artist which illustrate his memoirs on gay love, memory and desire in contemporary America.
AIDS: Cultural Analysis/Cultural Activism
A collection on the media and public perception and representations of AIDS. Includes essays, a portfolio of manifestos, articles, letters, and photographs from the publications of the PWA Coalition, an interview with three members of the AIDS discrimination unit of the New York City Commission on Human Rights and presentations for the independent video documentaries on AIDS, Testing the Limits and Bright Eyes.
