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25 Years of Performance Art in Australia
Exhibition catalogue. Ivan Dougherty Gallery, Sydney, June-July 1994; Institute of Modern Art, August 1994, Perth Institute of Contemporary Arts, November-December 1995, Experimental Art Foundation, Adelaide, February-March 1995, ACCA, April May 1995.
How Aborigines Invented the Idea of Contemporary Art: Writings on Aboriginal Contemporary Art
The first anthology to chronicle the global critical reception of Aboriginal Art since the early 1980s, when the art world began to understand it as contemporary art.
Part of Library of Performing Rights (P3041)
The Tempest Society
Revisits and resuscitates the forgotten heritage of a politicised theatre group – ‘Al Assifa’.
Part of Library of Performing Rights (P3041)
The White Paper
Returns to Satoshi Nakamoto’s canonical text on a peer-to-peer electronic cash system as a Rosetta Stone that reveals the far-reaching implications of decentralisation.
The Mushroom at the End of the World: On the Possibility of Life in Capitalist Ruins
Follows one of the strangest commodity chains of our times to explore the unexpected corners of capitalism.
Staging Queer Feminisms: Sexuality and Gender in Australian Performance, 2005-2015
Examines sexuality, gender and race in Australia’s vibrant independent theatre and performance culture.
Part of Library of Performing Rights (P3041)
Performing Citizenship: Bodies, Agencies, Limitations
Discusses how citizenship is performed today, through the optic of the arts, in particular the performing arts, but also from the perspective of a wide range of academic disciplines such as urbanism and media studies, cultural education and postcolonial theory.
Part of Library of Performing Rights (P3041)
Library of Light: Encounters with artists and designers
Brings together established and emerging practitioners who work with light, as material or subject.
Performance Ritual Document
Explores performance art through live manifestations and reiterations in photographs, film and video.
Sex, Suffrage & the Stage
Provides a survey of the history of first wave feminism in British theatre, from the London premiere of Ibsen’s A Doll’s House in 1889 through the militant suffrage movement.
Part of the Library of Performing Rights (P3041).
